(I believe there may have been a thread on this a while back, but I can't seem to find it so - ) What are some moments in shows that make you teary eyed? The Letter in The King and I and the Act 1 finale of South Pacific (or at least, LCT's production) are moments that always seems to get me. Also 'Till We Reach That Day from Ragtime
Yes, the KING AND I always gets me too. There was a lovely little musical, A CLASS ACT, that was steamrolled by all the publicity surrounding THE PRODUCERS, that featured a song, 'The Next Best Thing to Love', sung by Randi Graff, that destroyed me. Also, THE SUMMER OF '42 had a song in the second act, 'The Promise of the Morning' that always got me going. But then I get weepy at the finale of 'HELLO, DOLLY!' Sometimes I think if I'm not teary-eyed at some point in a musical, I'm not having a good time.
'Our whole family shouts. It comes from us livin' so close to the railroad tracks'
Speaking of Lincoln Center, WAR HORSE. Just, the whole damn thing, really.
Maybe I'm a bit of a psychopath, but I don't find myself tearing up when most audience members seem to. I find some moments gasp-worthy (the sudden mid-air silk dance in BRIEF ENCOUNTER), or breath-taking (a moment of such sadness like the "Who Knows Where the Time Goes?" sequence at the end of JERUSALEM last year), but choking up tends not to be my first impulse.
That said, besides WAR HORSE, I'll second (or third) the moment in RAGTIME between "President" and "Till We Reach That Day." The revival, with it staged such that Coalhouse streaked across each lever of the tiered stage and down every staircase while shrieking, was absolutely stunning in that moment. I also found myself choking up when I saw MERRILY WE ROLL ALONG and "Not a Day Goes By" was reprised in Act II, and then cursing Sondheim for making me choke up at such a horribly beautiful, fated-to-be-tragic happy moment. INTO THE WOODS, meanwhile, has a murderer's row of "No More" into "No One is Alone" into "Children Will Listen" at the finale that could draw tears to anyone's face.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
The instrumental in Les Miserables after everyone's been killed at the barricades gets me every time. For some reason I didn't get teary during "'Til We Reach That Day," but I choked up during the finale when Mother calls Coalhouse, Jr. and he runs across the stage. Also the end of Shenandoah when Robert comes in during church service.
Paul's monologue in "A Chorus Line" Also Depending on who's in the cast, Fiyero and Elphaba's dialogue about "beauty" and "looking at things another way" towards the end of the show.
Defying Gravity from WICKED (Mostly final verse when Elphaba flies)
I Am Africa from BOOK OF MORMON
Beauty and the Beast from BEAUTY AND THE BEAST
Memory from CATS
Anytime any of my idols gives a curtain speech on their final performance of a show... Ex: I literally cried watching Nicole Parker (I think...may have been a different Elphaba) give a speech for Megan Hilty on her last WICKED performance.
Also I cried when Andrew Rannells left BOOK OF MORMON. No speeches or anything, but he cried on stage during "Tomorrow is a Latter Day" and he was holding a bouquet of roses for the curtain call, and hugged all of the other cast members. I forget which one, but one of the Elders starting bawling on stage.
Theatre is my life. No one can take that away from me.
In HIGH, when Kathleen Turner's character realizes she is no longer able to help the drug addict and that he is a lost cause, and just walks away with a blank face, leaving him to die in the alley.
The ending scenes of "Wit", after Dr. Bearing delivers her final monologue.
"True Colors" scene in PRISCILLA
The end of Act II in SOUTH PACIFIC
The ending of "Ghost"..."It's amazing, Molly. The love inside, you take it with you."
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Passion-"Loving You" Next to Normal- Almost entire end of Act 2 The King & I- The king's death Man of La Mancha- His death (lots of death lol) The Secret Garden- "Where in the World" and "How Could I Ever Know?" Titanic- "We'll Meet Tomorrow" "Finale" Wicked- "Defying Gravity" "For Good" and "Finale" "I'm not that Girl" if done right Chess- The moment when Florence realizes she was tricked So many moments to choose from really.
Wow...I forgot Ghost...That entire thing had me in tears.
"Life in theater is give and take...but you need to be ready to give more then you take..."
I went to see Next to Normal the first time without knowing what the show as about and myself and my three companions were gross sobbing before intermission
Many years ago, St Bart's in NYC did a brilliant production of ALLEGRO directed by Tom Briggs. As written, when Joe Jr. leaves his father's medical practice to move to Chicago, he (of course) takes his medical diploma with him. This particular production made a point of his taking along his shingle. Of course, the pay-off was at the end of the show when Joe Jr. returns home and re-hangs his shingle under his father's shingle, embracing his father to the chorus' full-out "One Foot, Other Foot", an amazingly powerful moment- one that still gets me when I think about it.
C.C: EFFIE, I HAVE A SONG AND ONLY YOU CAN SING IT THE WAY IT SHOULD BE EFFIE: I'VE WAITED SO LONG TO HEAR YOU SAY THAT TO ME SAY IT AGAIN! SAY IT AGAIN! C.C: EFFIE, SING MY SONG THE WAY IT SHOULD BE!
West Side Story- Tony's Death Catch Me If You Can- Goodbye. Aaron Tviet was absolutely breathtaking! His emotion in the song was so real. Newsies- Santa Fe. Jeremy Jordan and his belting. Also, the scene where Crutchie gets beaten. Evita- Don't Cry for Me, Argentina, You Must Love Me, the ending of Dice are Rolling, and Lament. Cannot express my love enough. In the revival, I bawled from the end of Dice are Rolling until the end of Lament. Porgy and Bess- Mostly because of Audra's Voice. Ghost- With You and the Finale. Not an amazing show, but it hit right in the feels. Carrie- The ending just gets you. The revival, of course. Godspell- Finale. Breathtaking. Next to Normal- In I Am the One/ You Don't Know, when Diana sings her You Don't Know towards Dan, I die.