pg1287 said: "The sound is the one thing that I am concerned about regarding the tour. I saw the Chicago production on 12/30/16 and was amazed at how clear the sound quality was, especially given the nature of many of the songs. I am not convinced that same level of perfection will be able to be achieved at all of the tour stops, which will make many of the songs difficult to understand."
A legitimate concern. Especially as the tour continues into ever-larger venues with shorter engagements in coming years. ...and frankly I'd be worried in SF as the Orpheum Theatre is notoriously difficult for sound engineers. Luckily, they're originating here, have their top people working on it and will be adjusting over the 4-5 months of the run. On the plus side, I've gotta' believe that they have some top engineers working on the tour and they're hopefully given the time and resources to tune the production to the road houses.
Finally, there's the matter of the words and how they sit on the notes and beats. When I saw Hamilton a couple of years ago, the recording had not yet been released, and I'm frankly not used to hip-hop. I found it very easy to follow - and much of that is due to the way lyrics are written and the songs are composed and orchestrated. Compare this to "Matilda," where there have been complaints about the unintelligibility of many of the lyrics, especially as sung by the children. Yes, there's the English accent to account for (although it's been lessened as time as gone on) and the fact that the singers are young. Yet, no matter what, the lyrics don't come through in may songs. I put that down to a consciousness on how the lyrics sit on the song and how a theater audience will process them. Hamilton is especially good in this regard.
Updated On: 3/1/17 at 03:49 PM