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The Official 2010 Tony Awards Discussion Thread — Page 18

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#434

The Official 2010 Tony Awards Discussion Thread

Changed my mind about performace of the night. I like Promises, Promises better than Memphis. I like the show though.
"I don't want the pretty lights to come and get me."-Homecoming 2005 "You can't pray away the gay."-Callie Torres on Grey's Anatomy. Ignored Users: suestorm, N2N Nate., Owen22, master bates
#440

The Official 2010 Tony Awards Discussion Thread

I don't remember what song it happened in, but there is shirt ripping/lots of shirtless dancing in Act Two, it wasn't just shameless shirt ripping.
"I've never encountered such religiously, you know, loyal fans as Broadway musical theater fans. It's amazing." --Allison Janney
#447

The Official 2010 Tony Awards Discussion Thread

"i enjoyed Come Fly Away and Promises, Promises more than most of what came before tonight."

Agree, at least some up-to-level performances to watch.
#448

The Official 2010 Tony Awards Discussion Thread

The show is fabulous! Sean is doing a great job and moving the show along at a pretty reasonable pace. One of the bettet shows that I have seen and I am a babyboomer so I have seen quite alot of them. Live television is live and the mistakes are what make it authentic and original.

Some posting here are seemingly auditioning to be critics of the theater or wannabe directors and are only posting what they imagine.

I think that I have a more accurate viewpoint for I have lived long enough to see great shows and bad shows and this one is really good because it is not getting bogged down at all.

You Go Sean! Just love his piano playing (he was a piano major in college) and his comedic timing is flawless!

#450

The Official 2010 Tony Awards Discussion Thread

How BORING to have Sean Hayes just sit there. It makes it appear as if they're trying to include him in another number of a show he's not in, rather than telling viewers "Hey! This actor that you recognize is in a Broadway show! Come see a famous face live in person!"
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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