Okay, I am going to say it...I really like the costume design, it just looks fun and i can see somewhat of a cohesive design. Do some things work better than others? Yes, but it is a different adaptation and interpretation.
"I think lying to children is really important, it sets them off on the right track" -Sherie Rene Scott-
I kind of liked the costumes. They had a certain depth and meaning to them. Little Red's, in particular, seems to make her the personification of the consequences of straying from the path. She's a melange of danger prevention and danger repair.
Art has a double face, of expression and illusion.
I have to say I do NOT like that Promo video of the show.
This coming from some one who fully supports the production, loves the concept, loves the costumes(though a few need tweaking)/set and supports the cast...except for O'Hare.
Why oh why is it so dark? I'm not talking about the "concept" I mean the lighting. I sat in the park twice and viewed the show under the dark night sky and the lighting didn't make the whole production look like it was filmed in a shadowy tunnel...
...and considering O'Hare is struggling through the dialogue and songs, was it necessary to showcase him through almost the whole segment? I know he is THE Baker (and I do love the man) but every other character makes up the entire piece too.
The two minutes that they had the entire ensemble singing "Into the Woods" could have been broken up to hear the audio of the segments they were flashing in the montage.
Ok, I'm done ranting. My apologies.
I guess I really do love this production, because this video does not do it justice.
The costumes here definitely seem to pop more on the woodsy set than the Regent's Park costumes did which is good! They look somewhat brighter and bolder. The only costumes that kinda bother me are Little Red and the old man. I kinda like the eclectic feel though, and it seems like it would work for the concept and direction of the show.
"There’s nothing quite like the power and the passion of Broadway music. "
Loved Murphy's singing in those clips- she looks and sounds fantastic. I really hope I can see this.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
In the video the costumes are discernible. When you are further back in the theater and the lighting is adjusted for each scene...the costumes fade into the background.
Going for more true to life vs fairy tale (eg a kiddie book) flattens it all out.
Might work for a movie but not for the stage. Consider the difference in application of makeup for the stage vs movies. Stage has makeup on heavier so the person in the back can see it and movies are more natural because of the film closeups on a big screen.
I like most of the costumes. I see where they were going, and I can appreciate it artistically even though I favor the more traditional fairy tale look used in the original production, and revival. The only one I don't like is Cinderella's ball gown. Cinderella is my favorite character after the witch, and I don't feel like she looks much different in her ball gown than in her rags. It takes the magic out of her being Cinderella for me. Her rags look more flattering on her than her ball gown which should not be the case.
Also, I thought you guys were exaggerating when you said that Dennis would look really old next to Amy Adams. Wow. He looks like he could be her father.
O'Hare seems like he's playing the Baker as, um, slow during No More. Everyone else looks good, and I'm actually excited about this production, but O'Hare is making no sense to me, even from just the video
i could probably get over O'Hare being so much older if he ACTED younger (which I'm sure he's capable of), but he doesn't. He acts younger on 'True Blood' even though his character on that is literally 1000's of years old. I don't get it, and I can't wait for a replacement when this moves to broadway.
I saw the show tonight and I really enjoyed it but thought it was pretty uneven. My favorite performance of the night was by far Jessie Mueller, followed closely by Donna Murphy and Chip Zien. I also thought Ellen Harvey was doing a great job with the Stepmother but she got almost no laughs, which was strange to me since I think she's an excellent comic actress. I thought the cast was pretty uniformly good with the exception of Denis O'Hare and Amy Adams. O'Hare was, in my opinion, flat-out bad from top to bottom. He seemed uncomfortable, and his singing was embarrassing. Adams was better than I expected, but I still found her merely serviceable. Her singing was uneven and her acting was pretty flat...the Baker's Wife was the same person at the end as she was at the beginning, which shouldn't be. I should note that I find Adams in general to be a pretty uninteresting actress on film as well (the only films I've genuinely liked her in are Enchanted and The Fighter), and I really don't get the hype around her.
The biggest problem is the messy staging in the group numbers...I was in row K and pretty much dead center, and I just found the staging far too busy and the running up and down the set was unnecessary. There were some moments of staging that really worked...I loved the way they did the giant as well as the beanstalk "growing," but in a lot of places the staging really hindered the songs. I also hated most of the costumes, especially Amy Adams's get-up with that atrocious wig. I get what they were going for, but most of them just blended into the set and made it even harder to tell everyone apart/know who to watch in the group numbers.
I'd like to see it again before the end of the run because I love the show and seeing it live was exciting for me since I haven't before, but there are a lot of things that don't work. It's worth it for Jessie Mueller's lovely performance though, as well as Donna Murphy. I just wish Adams and O'Hare weren't so weak (and in addition to the lackluster performances he looks at least twice her age), because the Baker and the Baker's Wife are really the center and heart of the show and neither of them grounds it enough.