Please. LuPone might be a bitch and/or hard to work with. But she's never physically abused fellow cast members. She doesn't belong in the crazy home like Mandy.
...an evening of not-nice people doing not-nice things to one another. Who needs that?
Would that not be Virginia Woolf as well?
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I felt both versions were an evening of not-nice people doing not-nice things to one another. Who needs that?
That's what I love about it. And as others have said, it happens plenty.
I loved the Broadway production, and I think it is possible to watch flawed characters in a spiral of destruction. I believe it's called tragedy.
Agreed.
"This table, he is over one hundred years old. If I could, I would take an old gramophone needle and run it along the surface of the wood. To hear the music of the voices. All that was said." - Doug Wright, I Am My Own Wife
Y'know, all this backstage dirt aside, I think it's a damn good score and a highly underrated show.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
Anyone who is to blame for Toni Collette's lack of will to go back to Broadway does not deserve any kind of good reputation or a chance of any kind. He is indeed a violent egomaniac. What he did to his cast members was pretty humiliating and selfish, anyone with more class and talent doesn't need to resort to that kind of attitude in order to make a character or the material work. I can't believe Collette doesn't wanna do another Broadway show because of this a*sshole.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
BrianS, context is everything. I wasn't challenging your right to an opinion, just your statement(s) re the impossibility of creating character arcs in a play with a compressed time period. Several other posters here have challenged this as well. I apologize for the word "ridiculous" - I should not have been so blunt.
If cliche #1 on this board is telling someone their opinion is wrong, cliche #2 is changing their wording when you quote them just enough and then shooting them down for that...
I never said it was "impossible." I said it had to overcome the feeling that there wasn't much of a journey for the characters. I liked both versions for different reasons, but in both cases, the characters felt very "one-note" to me. "Here is this character and this is their defining trait for the show" over and over. I just didn't feel there was much of a journey anywhere in the story.
Compare that to Sweeney Todd (another show with people doing not very nice things to each other) where over a period of time Sweeney goes from committed revenge on Turpin to nostalgia at returning to his profession to ecstasy at having Turpin under his razor to rage at the world when he loses Turpin to... well you get the idea. And that's just one character.
If the audience could do better, they'd be up here on stage and I'd be out there watching them. - Ethel Merman
I don't know why she'd taken being spat upon personally. Really. I mean, she should have captured the holy water in a vial and had it mounted on the wall at Sardi's.
As I recently wrote, I hope that we have advanced far enough in the realm of musicals that they can use the power of music and dance to explore other experiences and ideas than just comedy. I personally never rooted for any of the characters in DEATH OF A SALESMAN, CAT ON A HOT TIN ROOF, or Troy in FENCES, but that doesn't mean they aren't great works.
"Some actors use the excuse of "method acting" to be mean/rude/abusive in real life and at work, which is entirely unprofessional."
thank god I wasn't the only one who felt that way. To me, characters belong on the stage. It's your job to play that character with every ounce of gall onstage, not screw up the work place claiming it to be method in the process.
I don't WANT to live in what they call "a certain way." In the first place I'd be no good at it and besides that I don't want to be identified with any one class of people. I want to live every whichway, among all kinds---and know them---and understand them---and love them---THAT's what I want! - Philip Barry (Holiday)
"Please. LuPone might be a bitch and/or hard to work with. But she's never physically abused fellow cast members. She doesn't belong in the crazy home like Mandy."
Well, rumor has it she hit one of Hal Prince's children when they said something not very nice about her at a rehearsal for Evita, but I don't think there's any ill will between Patti and Hal.
Well, rumor has it she hit one of Hal Prince's children when they said something not very nice about her at a rehearsal for Evita, but I don't think there's any ill will between Patti and Hal.
wait, what?
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Some actors use the excuse of "method acting" to be mean/rude/abusive in real life and at work, which is entirely unprofessional.
Tell me about it. Even though I was a musical director, the acting (in ANYTHING) kinda went to my head and I exploded almost every chance I had last year when I worked at my camp. I don't want to let that happen again this year.
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
I'm finding the ridiculous antics of all the great performers mentioned almost... kind of funny in a way... I mean Colm Wilkinson walking off stage? Patti hitting a kid? Haha, Jesus....
"Well, rumor has it she hit one of Hal Prince's children when they said something not very nice about her at a rehearsal for Evita, but I don't think there's any ill will between Patti and Hal."
Well, one should know ones place when speaking to a goddess. Why if I were her I would've smitten him.
"Light the candles! Get the ice out! Roll the rug up, it's today!"