Oh dear, I just listened to "Pink". HOLY mother. Why is this score not nominated for a Tony? I don't think it should win over The Great Comet but it is scores (hehe) better than Come From Away and Groundhog Day.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
Valentina3 said: "Oh dear, I just listened to "Pink". HOLY mother. Why is this score not nominated for a Tony? I don't think it should win over The Great Comet but it is scores (hehe) better than Come From Away and Groundhog Day.
"
Because the rest of this score is not nearly as beautiful or clever as this song, which is the crown jewel of the whole evening. I would probably also nominate it over GROUNDHOG DAY (which I enjoyed, though not for the score), but I'm not a nominator. So, I'll just enjoy listening to this one song on repeat.
Valentina3 said: "Oh dear, I just listened to "Pink". HOLY mother. Why is this score not nominated for a Tony? I don't think it should win over The Great Comet but it is scores (hehe) better than Come From Away and Groundhog Day."
Over GROUNDHOG DAY absolutely.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
The only song I liked in Groundhog Day was "Playing Nancy" and that had nothing to do with the actual plot of the show. I feel that Nancy song can itself be the "I want" song in a musical about a misunderstood blonde who's trying to break the stereotypes.
And while "Pink" is amazing, I also think very highly of "If I Were A Man" and "Face To Face". The Revlon song was also fun, although I don't remember it too well now since the only time I heard it was in Chicago last summer.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
There are for sure a few clunkers in the score, but "Back on Top", "Face to Face", "Behind the Red Door", "Pink", and "If I Were a Man" are all excellent, IMO.
The only song I really enjoy from GROUNDHOG DAY is "If I Had My Time Again".
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I'm in the definite minority in that I liked a good deal of the War Paint score (aside from the truly awful Dinosaurs) but was underwhelmed by Pink.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
When seeing the Goodman production, Pink was the only song that drew my attention and resonated with me. The rest of the score was pleasant, but completely forgotten shortly thereafter.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Valentina3 said: "Oh dear, I just listened to "Pink". HOLY mother. Why is this score not nominated for a Tony? I don't think it should win over The Great Comet but it is scores (hehe) better than Come From Away and Groundhog Day.
"
Yep. It's a much better score than the repetitive and hokey Come From Away.
I think "Pink" resonates with so many people because it is the one song in the score that comes closest to the hauntingly beautiful "Another Winter in a Summer Town."
ljay889 said: "Valentina3 said: "Oh dear, I just listened to "Pink". HOLY mother. Why is this score not nominated for a Tony? I don't think it should win over The Great Comet but it is scores (hehe) better than Come From Away and Groundhog Day.
"
Yep. It's a much better score than the repetitive and hokey Come From Away.
I think "Pink" resonates with so many people because it is the one song in the score that comes closest to the hauntingly beautiful "Another Winter in a Summer Town."
"
I echo that
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
They won't perform it, but I honestly would feel incredibly embarrassed for anyone involved in Come From Away should their show have to follow a performance of "Pink" at the Tony Awards (or as much as I love her, if Bette Midler had to perform after the War Paint performance). I'd metaphorically pat the Come From Away team on the head and give them kudos for their cute show and heartfelt message, but it is a little bit like amateur hour in comparison.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I so wish the cut songs were on the album cuz I didn't particularly care for Putting Your Best Face Forward. This score was my absolute favorite of the season and it breaks my heart it wasn't tony nominated! I can't echo what you all have said about CFA and Groundhog Day's score. I liked almost every song from War Paint (except Dinosaurs which I found so cringe worthy) and I wish it faired better than it did this award season.
It's a real shame A Woman's Face is not a bonus track. I loved that as the opener.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
qolbinau said: "They won't perform it, but I honestly would feel incredibly embarrassed for anyone involved in Come From Away should their show have to follow a performance of "Pink" at the Tony Awards (or as much as I love her, if Bette Midler had to perform after the War Paint performance). I'd metaphorically pat the Come From Away team on the head and give them kudos for their cute show and heartfelt message, but it is a little bit like amateur hour in comparison.
Boy, you certainly told them! Please post one of your songs so we can compare your work!
I saw the show on Sunday and absolutely loved it, I definitely see this becoming a bit of a cult show in the future. That being said, I found Pink to be a nice song for sure, but I don't really understand all of this hype that it has. For me, the musical high point had to be Forever Beautiful, Patti's voice is just stunning and that last big note? Chills all over! I so cannot wait for this to come out on Friday!
I don't know. Maybe I'm missing something. Caught the show this afternoon and wanted to love it so bad, but boy oh boy was I disappointed. Lupone was wonderful. Ebersole fell flat and after all the hyping of "Pink" on these boards, I was seriously underwhelmed. This plot is thin and the score is so bland. Maybe I'll give it another try once the recording comes out.
Then only song I didn't care for was the overly long Fire & Ice.
I am so torn. I want to see Sunset Blvd. but I really want to go back to WAR PAINT just to see them sing Face to Face again. That song left me breathless.
I loved War Paint but if you haven't seen Sunset go! That orchestra and Glenn's performance cannot be missed!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000