What is the most underrated musical of all time — Page 3

"I begin to think sometimes for them there was no theater before Sondheim and there will be none when he is finally dead."

You're first beginnng to think that?

"Song and Dance"

Closer Than Ever.
Mack and Mabel.

"Full Monty". It didn't get the accolades it deserved because of one of the most overrated musicals - The Producers.

I don't know if it's "of all time" but I think "Applause" is kind of unfairly maligned, at least the score. The lyrics occasionally are kinda weak (though the show's satirical lean fills in a few cracks) but there really aren't any positively bad numbers (maybe a little dull) and several of them are outstanding. Obviously people get upset over it winning the Tony but awards are hardly the end-all be-all signifier of quality and though it's hard to imagine someone other than Lauren Bacall filling the role as well as Lauren Bacall did (her rendition of "Hurry Back", married with that stunning quintessentially-70s arrangement, is magnificent) it really is a great bunch of songs.

edit: yes, including all the slang in "Who's That Girl". Foolry-acky-sacky indeed.

Updated On: 3/12/13 at 03:53 AM

I would have to wholeheartedly agree with TWO GENTLEMEN OF VERONA.
There's a special place in my heart reserved for that show, and when I finally got to see the New York Shakespeare Festival revival at the Delacorte in Central Park I was in sheer heaven watching Renee Elise Goldsberry, Norm Lewis, Rosario Dawson and Oscar Isaac in the leads.

Ragtime, Side Show

Underrated means undervalued. It can relate to a show that was successful but which eluded greater success unjustifiably or it can relate to an absolute flop that we loved, and anything in between that one feels was undervalued.

The confusion - or the source of the supposed confusion - is not about "underrated" but about "most underrated"

The conjunction of a superlative with an abasement begs the ambiguous question of how to measure the relative degree of a perceived injustice.

What "most underrated" means and whether it can apply to successful shows - even very successful ones - that really, really, no I mean REALLY - NO LIE! - should have been much, much!, MUCH! - and when I say much I mean so very much - more successful or only to very, very, VERY! unsuccessful shows that should have been at least moderately successful, or better than JUST moderately successful, is a semantic and epistemological question which may well be beyond caring (and yet I am bored at work and so am going on and on about it....).

Accordingly, I suggest that "most undervalued" be whatever anyone wants it to be.

If someone wants to nominate 1776 or She Loves Me notwithstanding their renown and if others prefer to champion Juno, Chess, Mack and Mabel, Chu Chem or Via Galactica (for example, I am neither endorsing nor condemning any such particular candidate at present) because they were so unfairly unappreciated, then so be it. If others choose famous shows that didn't recoup, and or were robbed of tony or tonys, or didn't last nearly as long as Phantom or Cats (what has?) when it opened the same season as some megahit piece of crap and was so much better, but which nonetheless haS had many revivals and is talked about on bww relentlessly, that's also an option.

All kinds of answers are responsive to the question.

Updated On: 3/12/13 at 12:59 PM

James Joyce's The Dead.

Wildly underrated.

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Phantom.

No not THAT one, the one by Maury Yeston and Arthur Kopit. So glad I got to see this rare little gem.

More here: http://en.wikipedia.org/wiki/Phantom_%28musical%29

MEMPHIS.

Yes, Kristin Chenoweth DID tour with that show.
In German.
I kid you not.
She says it's better than the ALW one, too.

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