LES MISERABLES - It was the first show that my father introduced me to when I was around 5 years old. I would bring my walkman and my two-disc set with me to kindergarten and listen on the bus and during recesses.
NEXT TO NORMAL - Complete catharsis at a time when I needed it most. I saw it A LOT, traveling around to different cities after it closed on Broadway... I don't need it like I used to, but I owe it so much and will always hold it very close to my heart.
HAIR - Every time I've seen it, I've wept from the opening notes to the dance party at the end. I don't know what it is about it; it just hits home in ways that I can't describe.
A CHORUS LINE - "Too young to take over, too old to ignore."
I relate a lot to Deena from Dreamgirls. She has a magnificent ark that very few actresses take advantage of.
I also really connect with Cinderella in Into the Woods. On the Steps of the Palace is a brilliant song.
Funny, I never realized how similar those two characters are. They are both beautiful, and modest, and those qualities spark the interest of successful men (the prince, Curtis). Then those men give them what they feel is best for them. Cinderella and Deena think that this way of living is what they want, but then they discover that it isn't and have to deal with it.
" My sister suffered from the same condition and I only wish it were that easy for her and the rest of the family as they portrayed it on stage. wrong."
*SPOILERS*
Yeah, Diana looked like she was having a hell easy of a time when she couldn't really function at home alone, when she walked out on her family or when she tried to commit suicide.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
For recent shows, BILLY ELLIOTT holds that sacred place in my heart. Seen it 4 times and cry buckets every time at the impossibility of that boy's dream ever coming true.
For classic shows, seeing the OBC of A CHORUS LINE was the major event for me. I'm not a performer, but seeing those dreams played out onstage and hearing Paul's monologue was more personally powerful to me than any other show before or since. Plus, for my 2 years at summerstock (1976 and 1977 with the New London Barn Players), all those gorgeous chorus boys I had endless crushes on constantly sang numbers from ACL for their weekly auditions. That show is my proustian Madeleine.
INTO THE WOODS was the first show I saw back home that made me realize I wanted to be involved with this amazing art form somehow.
But I don't find that emotional connection is something I personally make with many shows. Maybe RAGTIME, since after I started taking OCRs out of the library to bring home and listen to it was the one that most caught my mother's ear; she adored the melodies (who wouldn't?) she made me tell her the whole story of the show as we listened to the album in one long car ride that summer. Seeing that revival a few years ago was special for the opportunity to take her to her favorite show she'd never seen but loved.
Honestly, maybe the most emotional response I think I ever had to a show was WAR HORSE, which I also saw with mother last time she was in the city. She swore to me, when I told her I'd been warned it was a three-hanky play, that she'd never cried at a *play* before. Well, she was a tear-flooded mess when the show ended, and leapt to her feet (as did I) like never before or since.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
"Yeah, Diana looked like she was having a hell easy of a time when she couldn't really function at home alone, when she walked out on her family or when she tried to commit suicide."
As the Mormons would say, hey now! I'm sure Jane2 is aware of the plot of the show. What is she (or he) supposed to do, enumerate incidents from her family's personal history to prove her point?
For me, The Fantasticks maybe. Though it tends to be more a matter of connecting to specific characters or moments from various shows.
Purple because it was my first musical. Saw the first tour.
The Wiz because of was my first Broadway show.
Emotionally it is Caroline or Change. My mother was a maid all her life. In the 60s and 70s when I was young she would take me to work with her at times. One of the people she worked for was a doctor and he delivered me.
I'm going to cheat and say a straight play: Angels in America. Even though I wasn't born until quite a while after the play takes place, it just resonates so deeply with me. The play really helped me through a difficult period, and I really don't know how I would have managed without that play.
Into The Woods. I really feel that the main title song Into The Woods is about the need to go on with life even when things are the darkest. This musical came out during the horrible AIDS crises in the 80's in NYC and I always felt Sondheim was writing a song about keeping up the hope.
For me I would have to say Big, it was my first Broadway show and the one that got me interested in theatre. But, the revival of La Cage that played at the Marquis was one that holds a special place in my heart, not because of the show itself (great show however that was a not so good production of an otherwise good show) but because of the night and the people that I was with.
I went with my two surviving grandparents (my Dad's Father and my Mom's Mother) at the suggestion of my Grandfather. He took the three of us to see it and it was great to spend the night with them. My Grandfather loved the theatre and that production of La Cage was the last show he saw before he passed away. That is a night that I will always remember and look back on fondly.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
I have two. 1. The Lion King-It was my first Broadway show and I love it. I went my mom, godmother, and her granddaughter and grandson. It was amazing. I actually went on Mary Poppins website to see if I could remember where I was sitting and I did. Wicked-Wicked was the first national tour show I had ever seen. I had since 2003 to see Wicked but never got the chance. So, when it came to DC I jumped at the chance to see it. So, on my 15th birthday, I saw Wicked and absolutely loved it!! I even started lip-syncing.
My first major connection was to "My Fair Lady," at the age of 11. I fell in love with the movie and decided to become an actor at that point. (Alas, being too short, too clumsy, and lacking a sufficient voice, as well as being too chicken ultimately stopped me). As an adult, I can see the brilliance of the story -- it really is a feminist tale, since Higgins doesn't fall for Eliza till he realizes she's his equal.
Despite my youthful attachment to "My Fair Lady," "The Phantom of the Opera" has become my obsession. I don't really know why, but it's become such a part of me that I have Phantom jewelry, clothing, memorabilia, books ... you name it. Perhaps my obsession comes from the tragedy of someone who became ugly inside because he was ugly to look at.
Even though I'm not a huge "Les Mis" fan, if I had to pick a character to emulate, it would be Jean Valjean. He took lemons and made lemonade, leaving behind a world that was a better place than he found it. In many ways, JVJ is the opposite of the Phantom.
I also echo the comment of the poster who mentioned that Eastern European Jews all feel personally connected to "Fiddler on the Roof." Talk about folks who made lemonade out of lemons ....
I'm actually gonna have to say GHOST. I had come out to my family earlier that year and it had NOT gone well and home was a place I did not enjoy being. Spring Break was going to be my longest time home and my boyfriend told me he wouldn't be able to talk to me at all because he was going on a trip to Italy with school. So I didn't know the story of the show at all, I just went alone when we visited my sis in the city. Well I'd been through a lot, so when he died and she couldn't talk to him...but the end where we saw him again. I was crying my eyes out. It was exactly how I felt in our relationship. Nobody can help but you, and I want to give up on you since I can hardly see you.
I'm actually gonna have to say GHOST. I had come out to my family earlier that year and it had NOT gone well and home was a place I did not enjoy being. Spring Break was going to be my longest time home and my boyfriend told me he wouldn't be able to talk to me at all because he was going on a trip to Italy with school. So I didn't know the story of the show at all, I just went alone when we visited my sis in the city. Well I'd been through a lot, so when he died and she couldn't talk to him...but the end where we saw him again. I was crying my eyes out. It was exactly how I felt in our relationship. Nobody can help but you, and I want to give up on you since I can hardly see you.
Cats---first professional show I ever saw and which started my love of theater A Chorus Line---first show I ever saw in NY on Broadway Annie---first show I ever actually acted in a children's theater production of