Play Esq. said: "BrodyFosse123 said: "Oh, you trust fund kids with expendable play money. Hahahaha.
I’ll ride out a show no matter how bad it is. Even if my tickets were free. If I paid, p*uck if I’m walking out."
Not a trust fund kid here, but I am established in my career after years of hard work: life is too short for **** productions and I see no obligation to stay. This is particularly a problem for me as I love opera, but I am not going to sit through a five hour production ofMeistersinger that I can't stand just because I paid for it.
Recent walk outs:
- M Butterly (funny...I left during the second intermission of Madam Butterfly this season as well, though I've seen the production many times before and was just not a fan of the cast)
- Jerry Springer: the Opera the second time I saw this production (I wanted to stay, husband wanted to leave, but in fairness, the first act is the better of the two)
- DC: Mean Girls pre-Broadwayand The Pillow Game...what a miserable trip to DC....
- OPERA: Too many damn productions to discuss, but recently: the new andbland Tosca (left for Sonya, stayed for Anna), Norma (why do I even try with that one...), Parisfal (in fairness, I love that production having seen it three times, but was really really tired....),
Echoing the OP: I SOOOOO wanted to leave War Paint but the person I was with was enjoying it....shoot me, please."
Can I suggest a point about Bellini's Norma? it's a tough sell to sit through, I'll stipulate to that. I think it appeals to singers because the arias, duets and trios are compelling - to sing. If the singers are first rate, they're compelling to hear. I love Norma. It's the first opera I ever performed as an understudy to the Pollione who developed a throat infection. I love seeing it for the memories it brings me. Without all that, I don't think I'd be as ardent in my liking for it. For the record, I don't have the staying power for Wagner anymore. I can't stand atonal stuff, and shock staging for the sake of shock staging gets my 62 year old dander up.