I'm fairly certain they did...but theyd also be in the opening song (tradition) and possibly the wedding.
The production currently running has them. It's written for actors to play.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Swiss Miss said: "Snow White and Sleeping Beauty in Into the Woods"
This is an interesting one as there is absolutely nobody they can double with, if they are included it’s ususlly the understudies and the actor and character do nothing else on those performances - unless they are booth singing
a12la said: "TexanAddams18 said: "The mother inThe Wolves.I was literally in shock that they spent the money for her to come out and say what, 4 sentences?"
She has like a 5 minute monologue and it's easily the most powerful and intense moment of the play."
Apologies, the only iteration I saw was very early on at NYSAF and it was certainly not 5 minutes. I'm glad the author extended it for as you said it is the climax of the show.
In THE CRUCIBLE there's a character who comes on simply to announce the arrival of another character at the beginning of act 4. One sentence. What's more, it's not like there's an ensemble for them to join for the rest of the show. Killing time backstage was so dull I forgot to take off my watch one night...
Suprised nobody has mentioned Lulu from Waitress. She says no more than 10 words yet the show would be completely different without her brief appearance at the end.
A friend of mine who played Fantine in LES MIZ on Broadway said it was the easiest gig she ever had: come out for 10 or so minutes, sing the biggest showstopper of the score, and then catch up on your reading until the curtain call.
GavestonPS said: "A friend of mine who played Fantine in LES MIZ on Broadway said it was the easiest gig she ever had: come out for 10or so minutes, sing the biggest showstopper of the score, and then catch up on your reading until the curtain call."
The original staging had Fantine join the ensemble after the Act I break (was it even before the break?) There have been conflicting reports - interviews on how Patti enjoyed the free time during her time in the London cast, but then I have definitely read articles about the track the actress is supposed to cover through rest of the show. With star casting of Fantine which is very common now, I think that would be difficult to pull off in major productions now. Audiences would most certainly notice likes of Lea Salonga/Patti LuPone even in revolutionary attire.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
bwaylinds said: "Suprised nobody has mentioned Lulu from Waitress. She says no more than 10 words yet the show would be completely different without her brief appearance at the end."
I think Lulu goes into the "Young Coalhouse" category. Or productions of Seussical that use a little kid as the elephant bird at the end.
And I'll echo blaxx's comment –– this conversation is about featured ROLES that aren't part of a track. There are plenty of bit parts in shows that are combined into tracks.
One that I'm surprised hasn't come up yet: The Phantom! For a first-billed, iconic leading role, the Phantom only has ~20 mins of stage time, right?
Valentina3 said: "The original staging had Fantine join the ensemble after the Act I break (was it even before the break?) There have been conflicting reports - interviews on how Patti enjoyed the free time during her time in the London cast, but then I have definitely read articles about the track the actress is supposed to cover through rest of the show. With star casting of Fantine which is very common now, I think that would be difficult to pull off in major productions now. Audiences would most certainly notice likes of Lea Salonga/Patti LuPone even in revolutionary attire."
Somewhere here there's a thread where people reported LuPone's account of hiding during her "ensemble" bits.
I texted my friend. She says she was given a choice to play a boy on the barricade or not. She chose to do so, because it was a fun scene and there was no pressure, since she was disguised. She was in the show in the mid-1990s.
Trix in Drowsy Chaperone appears briefly in the opening number and then at the very end to sing "I Do, I Do in the Sky" and join in the reprise of "As We Stumble Along." That probably is a total of 5 minutes max.
How long is Berthe on stage in Pippin? She usually appears with the ensemble in "Magic to Do" and leads "No Time at All," but that's about it. For that brief appearance, Andrea Martin won the Tony (deservedly, imo) and Irene Ryan was nominated for best featured actress.
Speaking of Tony Awards for very short appearances, there's BONNIE in APPLAUSE. The performer, Bonnie Franklin, won a Tony Award and got her own sitcom just for singing the title song. The amateur productions I've seen since I saw the original have used Bonnie as a dancer in all the ensemble numbers, but I don't know if they did that in the Broadway show.
If not, that's a really short part. She only sings the verse and first chorus before the ensemble takes over the vocals.
As of the Chicago try-out, Michael McGrath has all of two scenes in Tootsie. In Act 1, he shows up for all of 2 minutes for one scene, and then doesn't appear again until midway in Act 2 for another, maybe 5 minute scene, and that's it.