I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
"This table, he is over one hundred years old. If I could, I would take an old gramophone needle and run it along the surface of the wood. To hear the music of the voices. All that was said." - Doug Wright, I Am My Own Wife
Excellent production. Excellent Tony Award winning performances. Unfortunately, the general public didn't come in droves to see it. Too expensive to keep running at 8 performances a week, so the producers did the wise thing to close the show, which they did since they already lost their entire 6 million dollar investment and was losing more and more each performance.
This is the reality of WHY shows close. It's not always about the show being bad -- it's just too expensive to keep a show running when money is being lost performance to performance. Shows need to fill a certain amount of seats EACH performance just to make ends meet. If this doesn't happen, the investors who brought the show to Broadway lose their investment, which no one wants to see happen.
Actually, the marketing was really good. The promoters tried a lot of different advertising approaches and fun ideas. I just think the concept of the show was hard to sell.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I disagree. I think they really didn't know how to market the show. The attempt at Tabloid headlines was "Horrible! HORRIBLE!".Didn't get the idea or feeling of the show across at all!
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
I disagree Snafu. I think the print ads, commercials, buttons, tabloids were great. I think the website, the actors ( who promoted the show like none other I've seen-Ebersole was EVERYWHERE!!!) all were very clear about the story, its characters, the premise, and the signifigance. I just think it is a hard show to sell based on the rather sad content.
I do think some of MLW's songs could have been showcased in the promos rather than IMO overextending the use of Revolutionary Costume, but I don't think Wilson was doing much singing outside of the show.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I agree with both of you. I think it's a really difficult concept to bring out in an advertising campaign. I mean how can you convey the spirit of this show in a billboard or poster? I do think there might have been a way to do it. But they failed to find that way.
As it stood, the advertising did not communicate what kind of show a ticket buyer could expect to see. As a consequence, people spent their ticket money elsewhere. It has nothing to do with the quality of the show, which I thought was terrific. It had to do with the fact that people who didn't already know what it was weren't able to figure it out from the ads. It just looked odd. But there was nothing to say, "yeah it's odd, but it's also really funny and really moving, with some great songs..."
Art has a double face, of expression and illusion.
Much like Sideshow, which I liked better, it was a hard sell as far as subject matter.
Tourists rule the roost & being asked to shell out more & more they make choices re their tastes & some shows do not make the cut due to taste & cost factors
It was a hard sell. And, they went for the best angle, "JACKIE O'S IN THE FIRST ACT!"
As far as the marketing campaign goes, it was Christine Ebersole. The print ads were cute, but c'mon, she was the draw and the promoter all rolled into one. How many benefits has she done this year?
It's true, Ashley0139. It closed because of inappropriate usage of the possessive "'s" by the public. Another casualty of grammar.
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
Avatar: JULIE "EFFING" WHITE, 2007 TONY WINNER. Thank God.
I'm thinking about legally changing my name to Lizzie Curry...
or a better answer, because god hates me...i wanted so much to see it 8[ *uber sad face
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
It closed for two reasons. The first is that the tabloid ads amoung the different ad choices gave me the imperssion that they didn't know how to properlly sell this show. That being said, I also think that it was hard via the ads to figure out what the show was about. That in and of itself can make it hard to for a torist to buy a ticket for a show. I also think that the major problem with the show was the producers lack of interst in it.
Ridel said it best when talking about the producers of the show. He said that Grey Gardens was like another toy in thier sandbox and when they got bored playing with it they moved on to something else to play with.
This makes me wonder. If the producers really didn't care about this show that much from the get go the why bring it to Broadway. I do realize that the next sentence might be answering my own qustion. I think it's because of the fact that they wanted the money and thought that they could sell the show on broadway and make a lot more then they ever could off broadway.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
Tom Stoppard's Rock N Roll
Well I think the tabloid ads took away from the show. I love the original look of the show. Even changing the web site to look like a tabloid made the show look cheap.
I also did hear the producers were bored with the show. The show was doing fairly good after the TONYS.
Also moving it to Broadway might not have been the best thing for the show. I know someone who saw the show several times and said it lost something in the larger space.
Before you start believing all the info gossip monger Reidel has to report, and begin repeating his "toys in a sandbox" remarks as fact...please do the same research I did upon reading his rather vicious attack. It helps a bit to get a more well rounded look at things.
Go to East of Doheny's website and take a look at all the other shows these producers " got bored with" in their "sandbox". Art, Full Monty, Night Mother, Sweet Smell of Success, Flower Drum Song...and more. Take a look at the theater program they have in LA for children's theater, as well. These are not rich people just playing and getting bored.
I think it's time to start questioning just what Reidel has against these producers...two columns filled with his "inside info"? He can't even print the emails from people defending them without being snide about it, for gods sake! Was he not invited to a press preview to GG? What is it?
And I liked the Tabloid Ads.
"My dreams, watching me said, one to the other...this life has let us down."
I didn't really like the advertising campaign. It might've been more liked by people who have seen and understood what the show was about, but to first timers, it made the show look cheap.
I liked the old look to the show. It was beautiful and elegant.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
As much as the tabloid motif didn't sell the show properly I don't think the more elegant first version did either. Although absolutly stunning, it did little to give the potential theatre goer an idea of what the show was about. I personally thought the tabloid motif is a case where it sounded like a good idea in the boardroom but looked like crap on the sides of buses.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
The question shouldn't be why it closed, it should be why they opened it so early.
I know that scheduling for actors and to nab a theatre is tricky business, but I feel that if they had opened it a little later, it would have had a healthier run.