Your favourite orchestrations
#2
Posted: 1/3/11 at 10:27pm
I love the orchestrations for Phantom and Evita.
"There’s nothing quite like the power and the passion of Broadway music. "
#3
Posted: 1/3/11 at 10:34pm
The original orchestrations for Company are thrilling!
#4
Posted: 1/4/11 at 12:43am
Jonathan Tunick can do no wrong.
I also have a thing for the woodwind in Anyone Can Whistle.
I also have a thing for the woodwind in Anyone Can Whistle.
#5
Posted: 1/4/11 at 9:50am
Tunick is the model from whom all can learn. Starobin is excellent with smaller ensembles.
In the past several years, the best I've heard were Tunick's work on A Catered Affair and Larry Blank's for The Drowsy Chaperone.
In the past several years, the best I've heard were Tunick's work on A Catered Affair and Larry Blank's for The Drowsy Chaperone.
#6
Posted: 1/4/11 at 10:15am
Tunick's orchestrations to Napoleon made the music interesting. He really is the best.
Also: Phantom of the Opera, Woman in White, .. most Lloyd Webber musicals.
Also: Phantom of the Opera, Woman in White, .. most Lloyd Webber musicals.
#7
Posted: 1/4/11 at 11:34am
Anything by Tunick. Almost anything by William Brohn or Bruce Coughlan or Michael Starobin.
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#9
Posted: 1/4/11 at 12:00pm
Some interesting ones:
MAN OF LA MANCHA - Brass, woodwinds, 2 Spanish guitars, 2 percussionists, no string section, no keyboards.
LIGHT IN THE PIAZZA - Piano, Strings, woodwinds, guitar, harp, percussion, no brass section.
SEE WHAT I WANNA SEE - piano, bass, two woodwind players, THREE percssion players.
MAN OF LA MANCHA - Brass, woodwinds, 2 Spanish guitars, 2 percussionists, no string section, no keyboards.
LIGHT IN THE PIAZZA - Piano, Strings, woodwinds, guitar, harp, percussion, no brass section.
SEE WHAT I WANNA SEE - piano, bass, two woodwind players, THREE percssion players.
#10
Posted: 1/4/11 at 12:15pm
I love the massive amounts of percussion in Celebration. Also, the orchestrations to the original Madrid recording of Evita are sumptuous. But as far as ingenuity, I think Company and Into the Woods are tops.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#11
Posted: 1/4/11 at 12:18pm
I find the Madrid EVITA to be really lacking.
#12
Posted: 1/4/11 at 12:29pm
This is a tough one...
I, too, love the original "Company" and the Original "Funny Thing...Forum". And though I think it is a little too chorded in parts, "Sweeney Todd" has some excellent passages.
I know I will probably be killed for saying this, but "Little Women" has some gorgeous scoring, especially in both of Marme's numbers.
And, Wildhorn's "Camille Claudel" and Brown's "Parade" both make my list.
I, too, love the original "Company" and the Original "Funny Thing...Forum". And though I think it is a little too chorded in parts, "Sweeney Todd" has some excellent passages.
I know I will probably be killed for saying this, but "Little Women" has some gorgeous scoring, especially in both of Marme's numbers.
And, Wildhorn's "Camille Claudel" and Brown's "Parade" both make my list.
"She couldn't act scared on a New York City subway at three in the morning."- A review of Sarah Brightman for "The Phantom of the Opera"
#13
Posted: 1/4/11 at 12:56pm
Ragtime (original) and Sweeney (original).
#14
Posted: 1/4/11 at 12:58pm
I love the GRAND HOTEL orchestrations by Peter Matz.
#15
Posted: 1/4/11 at 1:10pm
Incidentally does anyone have the brilliant New York Philharmonic recording of Sweeney?
#16
Posted: 1/4/11 at 3:00pm
anything by Stephen Sondheim
"Look I made a hat... where there never was a hat."
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#17
Posted: 1/4/11 at 3:14pm
There's lots of terrific orchestrators beyond Tunick's great work for the Sondheim shows. Check out the work of Sid Ramin, Robert Ginzler, Eddie Sauter, Billy Byers, Tori Zito, Ralph Burns, Irwin Kostal, Mort Lindsay, Luther Henderson... Almost everything they touched still sounds extraordinary.
Begin at the beginning and go on till you come to the end: then stop.
#18
Posted: 1/4/11 at 3:36pm
I love Doug Besterman's work on THE PRODUCERS.
Next to that, pretty much anything by Jonathan Tunick (Follies, Sweeney) or Robert Russell Bennet (South Pacific, The King & I) is amazing. Also love Ragtime and the Scarlet Pimpernel.
Next to that, pretty much anything by Jonathan Tunick (Follies, Sweeney) or Robert Russell Bennet (South Pacific, The King & I) is amazing. Also love Ragtime and the Scarlet Pimpernel.
#19
Posted: 1/4/11 at 3:58pm
I really like Harold Wheeler's work as well. Especially Dreamgirls and Side Show.
#20
Posted: 1/4/11 at 4:05pm
@gvanover. Let's just say that if shots get fired, we'll be going down together!
#21
Posted: 1/4/11 at 4:08pm
It's not that I don't adore great big full beautiful orchestras, and it's not that I don't adore the work of Jonathan Tunick (making musical theatre sound great since 1957!), but I have a LOT of love for Sarah Travis's orchestrations for Sweeney Todd. I love the way she cuts the instruments down to the bare minimum, but still maintains the spirit of the show and keeps some of the brilliant little moments you almost might not notice on any other day.
Updated On: 1/4/11 at 04:08 PM
#22
Posted: 1/4/11 at 4:48pm
Jonathan Tunick and William David Brohn were the two that sprung instantly to mind - Company, Into the Woods and Ragtime are particularly brilliant.
Has anyone read 'The Sound of Broadway Music - A Book of Orchestrators and Orchestrations' by Steven Suskin? Excellent book, highly recommended for anyone interested in the subject...
Has anyone read 'The Sound of Broadway Music - A Book of Orchestrators and Orchestrations' by Steven Suskin? Excellent book, highly recommended for anyone interested in the subject...
#23
Posted: 1/4/11 at 5:25pm
I'd put Frank WIldhorn's Camille Claudel on my list as well (which was orchestrated by Jonathan Tunick as well!).
Also: Edward B. Kessel who did "A Tale of Two Cities"!
Also: Edward B. Kessel who did "A Tale of Two Cities"!
#24
Posted: 1/4/11 at 5:57pm
Philip J Lang..Mame, Annie and 42nd Street.
#25
Posted: 1/4/11 at 6:16pm
Another Philip J. Lang: Fanny. Including the bass, 14 in the string section? That's kind of bananas and incredibly beautiful.
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