Very exciting that it's finally official! Love the artwork.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
another garbage show to a crappy, theme park filled season.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
ACL2006 said: "another garbage show to a crappy, themepark filled season."
Everyone is entitled to their own opinion, but what are you basing this off of? Have you heard any of the score? Have you read the libretto? Have you seen some of the staging?
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I'm interested to see how Fey's husband, a 56 year old composer who has never written a full theatrical score (although I imagine several of his SNL and 30 Rock songs pointed in that direction) will do, paired with Nell Benjamin, a somewhat prolific 45 year old with one modest theatrical success (albeit one that I personally found amateurish).
ACL2006 said: "another garbage show to a crappy, themepark filled season."
Considering this show has been in the works for what seems like ages, I'd cut it some slack. Also unlike Spongebob, Margaritaville, and to a lesser extent Frozen (many of the films reviews called out the eagerness to see it on stage so I will cut it some slack), the show is not a pure cash grab at least in my opinion. Many have been hoping for Mean Girls to be adapted to the stage as an edgier High School Musical due to its revitalizing the musical genre for the Millennial Generation between 2006-2008. Add to that the fact that the rumors only got louder when Heathers opened off Broadway...3.5 years ago.... Do I know if the show is any good? No, but I will defend it from being lumped in with the likes of Spongebob and Margaritaville.
What sort of score / style / point of view will this show need to set it apart from the Heathers musical? Heathers lost money but inspired a passionate fan base. Mean Girls feels like the same story without the murders... though that would make it easier for high schools to produce down the line.
MrsSallyAdams said: "What sort of score / style / point of view will this show need to set it apart from the Heathersmusical? Heatherslost money but inspired a passionate fan base.Mean Girlsfeels like the same story without the murders... though that would make it easier for high schools to produce down the line."
Heathers manages to combine both the 80's sound with a contemporary pop musical theater sound. It has an excellent score imo, but Mean Girls doesn't need to set itself apart from Heathers because they're pretty different as is. One thing is that they're both in different time periods. Heathers is obviously in the late 80's, however judging by the artwork, Mean Girls is set in the present. I'm guessing the show will sound similar to Legally Blonde/Kinky Boots/Dear Evan Hansen/Next to Normal (in terms of style, not content) and be distinctive to the more retro flavor of Heathers.
It is interesting you have 2 older white men writing a show for younger audiences? I just hope they can capture that modern day pop sound that is so in right now. I think Heathers is one of the best musical theater scores in the past 5 years. I just wish it had a production to match it. I LOVE the music.
RippedMan said: "It is interesting you have 2 older white men writing a show for younger audiences? I just hope they can capture that modern day pop sound that is so in right now. I think Heathers is one of the best musical theater scores in the past 5 years. I just wish it had a production to match it. I LOVE the music."
Just to clarify, Nell Benjamin is a woman, and the man on the creative team is the husband of the book writer (who also wrote the movie).
Margo319 said: "I guess it this will sell because of the movie. Enough to fill that theater every night? Highly doubtful.
I wouldnt underestimate the film’s popularity. This will surely be a lot of people’s first musical by title alone. Similar to most contemporary shows, it’s main purpose is to be a fun evening of theater that has an underlying story beneath it. While I favor the “more traditional” and thought-provoking dramatic musical (can’t wait for Buñuel, which may surely have that) I can appreciate certain contemporary shows so long as they are well-crafted and not just something thrown up on stage for $$. Mean Girls could very well be the latter, but the team is credible enough for me to give it a chance or two, unlike other shows.
Margo319 said: "I guess it this will sell because of the movie. Enough to fill that theater every night? Highly doubtful."
The people who love and grew up with the movie are the ones who are really going to buy tickets. They are at an age where they have a disposable income. The movie is legendary among 20-somethings these days. Timing wise, it couldn't be better. But I agree that unless it's good, it won't very last long. It may only run as long as Groundhog Day -- a beloved movie whose reputation probably hurt it in the long run.
I'm thinking it will probably be pretty poppy, and maybe similar to Legally Blonde in sound -- but honestly, it could be anything. I'm just thinking of all the little snippets of songs in 30 Rock that he wrote that were amazingly funny. If the music's not good, hopefully it'll at least be funny.
Some 30 Rock musical moment snippets (mostly featuring Jane Krakowski)
This song gets stuck in my head to this day. I wasn't really interested in the show because I didn't like the movie even though I love Tina Fey, but if it's got good music I will have to reconsider seeing it.
Richmond also does the music for UNBREAKABLE KIMMY SCHMIDT, which I'd argue is as good if not better than 30 ROCK. Not only is the theme song one of the best to come along in decades, the songs he wrote for the musical film flop DADDY'S BOY had me literally in tears from laughing so hard. I'm beyond pumped.