La Cage - Yay (except what is up with the weird autotune on the recording?)
Fire and Air - Nay (but might also be due to terrible writing. I really wonder if Nathan Lane would have saved this show - and I don't think I'm the only one to make this comment)
Black Mirror Season 4 episode "Black Museum"- Yay.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
His performance on Fire and Air was damn near unwatchable. And his direction of Old Times was mediocre at best. Didn’t see him in La Cage, and I haven’t seen him in Black Mirror, but as of now I’m very “Nay”
Bought the soundtrack to the LaCage revival. Couldn't stand listening to it because of his vocals. But Karma is a bitch. I saw the revival during Jeffrey Tambor's brief run. What a nightmare. Felt so bad for him.
Count me in the group that hated the whole La Cage revival, Hodge included. I greatly enjoyed the London production of Charlie, but mostly the first Act in which Wonka barely appears. Act II was much less good and Hodge seemed to be playing in some panto on a different wavelength than the rest of the cast. Let's face it-- following in the footsteps of Gene Wilder is a tough gig for any actor, soI don't blame Douglas Hodge for the failures there. Give him a part like the Dysquiths n A Gentleman's Guide and he'd probably triumph.
I like him a lot more on TV (Penny Dreadful and Black Mirror specifically) than I do on stage. His performance in Fire and Air was one of the worst I've seen.
A little swash, a bit of buckle - you'll love it more than bread.
Didn't see him in La Cage, but I absolutely LOVED that production (Graham Norton in London and Harvey Fierstein on Broadway). In fact, it's the only production of La Cage I've seen that I truly enjoyed.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I don't get it. The La Cage revival was so crazily overpraised, but I found nothing remarkable about Hodge's smirky, painfully sung performance. Fire and Air was a mess, and I couldn't figure out why Hodge was playing the role of a continental European impresario as if he were a closeted ballet teacher from the Midwest. And his production of Old Times managed to make a 70-minute play feel like it was five hours long.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I've only seen him in Cyrano de Bergerac when it was at the Airlines five years ago or so, but he was brilliant when I saw it. That performance definitely gets a Yay from me.
The LA CAGE revival had it's problems, but I saw Harvey and I felt he made the whole thing worth it.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Why don't we change the thread title to something else. It seems a little mean to single out someone and encourage a Love/Hate forum. This is time to be kind!
I saw his La Cage back in London before it transferred and honestly loved it and loved his performance in it. But I could also tell watching it that it could very possibly be a pretty divisive performance, so I've never been too surprised at the detractors.