https://www.broadwayworld.com/article/NEW-YORK-NEW-YORK-SOME-LIKE-IT-HOT-More-Lead-Nominations-for-Outer-Critics-Circle-Awards-20230426
Outstanding New Broadway Musical
& Juliet
A Beautiful Noise, The Neil Diamond Musical
New York, New York
Shucked
Some Like It Hot
Outstanding New Broadway Play
Good Night, Oscar
Leopoldstadt
Life of Pi
Peter Pan Goes Wrong
Summer, 1976
Outstanding New Off-Broadway Musical
The Bedwetter
Between the Lines
The Harder They Come
Only Gold
Without You
Outstanding New Off-Broadway Play
Becomes a Woman
A Case for the Existence of God
Chester Bailey
Downstate
Letters from Max, a ritual
John Gassner Award for New American Play (Preferably by a New Playwright)
Dark Disabled Stories by Ryan J. Haddad
Epiphany by Brian Watkins
Fat Ham by James Ijames
Wolf Play by Hansol Jung
You Will Get Sick by Noah Diaz
Outstanding Revival of a Play (Broadway or Off-Broadway)
Death of a Salesman
Endgame
Ohio State Murders
Topdog/Underdog
Wedding Band
Outstanding Revival of a Musical (Broadway or Off-Broadway)
A Man of No Importance
Into the Woods
Merrily We Roll Along
Parade
Sweeney Todd: The Demon Barber of Fleet Street
Outstanding Lead Performer in a Broadway Musical
Micaela Diamond - Parade
J. Harrison Ghee - Some Like It Hot
Caroline Innerbichler - Shucked
Colton Ryan - New York, New York
Anna Uzele - New York, New York
Outstanding Featured Performer in a Broadway Musical
Kevin Del Aguila - Some Like It Hot
Julia Lester - Into the Woods
Alex Newell - Shucked
NaTasha Yvette Williams - Some Like It Hot
Betsy Wolfe - & Juliet
Outstanding Lead Performer in a Broadway Play
Hiran Abeysekera - Life of Pi
Jessica Chastain - A Doll's House
Corey Hawkins - Topdog/Underdog
Sean Hayes - Good Night, Oscar
Audra McDonald - Ohio State Murders
Outstanding Featured Performer in a Broadway Play
Danielle Brooks - The Piano Lesson
Sharon D Clarke - Death of a Salesman
Michael Potts - The Piano Lesson
Brandon Uranowitz - Leopoldstadt
David Zayas - Cost of Living
Outstanding Lead Performer in an Off-Broadway Play
Ephraim Birney - Chester Bailey
Brittany Bradford - Wedding Band
Marylouise Burke - Epiphany
Bill Irwin - Endgame
Emma Pfitzer Price - Becomes a Woman
Outstanding Featured Performer in an Off-Broadway Play
Veanne Cox - Wedding Band
Glenn Davis - Downstate
K. Todd Freeman - Downstate
Francis Guinan - Downstate
Susanna Guzman - Downstate
Outstanding Lead Performer in an Off-Broadway Musical
Nicholas Barasch - The Butcher Boy
Callum Francis - Kinky Boots
Jonathan Groff - Merrily We Roll Along
Natey Jones - The Harder They Come
Marla Mindelle - Titanique
Outstanding Featured Performer in an Off-Broadway Musical
Vicki Lewis - Between the Lines
Lindsay Mendez - Merrily We Roll Along
Daniel Radcliffe - Merrily We Roll Along
A.J. Shively - A Man of No Importance
Mare Winningham - A Man of No Importance
Outstanding Solo Performance
Mike Birbiglia - The Old Man & the Pool
Jodie Comer - Prima Facie
Jefferson Mays - A Christmas Carol
Sam Morrison - Sugar Daddy
Anthony Rapp - Without You
Outstanding New Score
Kate Anderson and Elyssa Samsel - Between the Lines
Brandy Clark and Shane McAnally - Shucked
John Kander and Lin-Manuel Miranda - New York, New York
Adam Schlesinger and Sarah Silverman - The Bedwetter
Marc Shaiman and Scott Wittman - Some Like It Hot
Outstanding Book of a Musical
Tye Blue, Marla Mindelle, Constantine Rousouli - Titanique
Robert Horn - Shucked
Matthew López and Amber Ruffin - Some Like it Hot
Suzan-Lori Parks - The Harder They Come
David West Read - & Juliet
Outstanding Scenic Design (Play or Musical)
Jason Ardizzone-West - Wedding Band
John Lee Beatty - Epiphany
Beowulf Boritt - New York, New York
Mimi Lien - Sweeney Todd: The Demon Barber of Fleet Street
Simon Scullion - Peter Pan Goes Wrong
Outstanding Costume Design (Play or Musical)
Dede Ayite - Topdog/Underdog
Gregg Barnes - Some Like it Hot
Brigitte Reiffenstuel - Leopoldstadt
Paloma Young - & Juliet
Donna Zakowska - New York, New York
Outstanding Lighting Design (Play or Musical)
Neil Austin - Leopoldstadt
Ken Billington - New York, New York
Ken Elliott and Ben Stanton - A Christmas Carol
Natasha Katz - Sweeney Todd: The Demon Barber of Fleet Street
Tim Lutkin - Life of Pi
Outstanding Sound Design (Play or Musical)
John Gromada - Jasper
Kai Harada - New York, New York
Daniel Kluger - Epiphany
André Pluess - Good Night, Oscar
Joshua D. Reid - A Christmas Carol
Outstanding Video or Projection Design (Play or Musical)
Christopher Ash and Beowulf Boritt - New York, New York
Andrzej Goulding - Life of Pi
Lucy Mackinnon - A Christmas Carol
Isaac Madge - Leopoldstadt
Sven Ortel - Parade
Outstanding Orchestrations
Bryan Carter and Charlie Rosen - Some Like It Hot
Sam Davis and Daryl Waters - New York, New York
Jason Howland - Shucked
Bill Sherman - & Juliet
Jonathan Tunick - Merrily We Roll Along
Outstanding Director of a Musical
Michael Arden - Parade
Maria Friedman - Merrily We Roll Along
Casey Nicholaw - Some Like It Hot
Jack O'Brien - Shucked
Susan Stroman - New York, New York
Outstanding Choreography
Andy Blankenbuehler - Only Gold
Edgar Godineaux - The Harder They Come
Casey Nicholaw - Some Like It Hot
Susan Stroman - New York, New York
Jennifer Weber - & Juliet
Outstanding Director of a Play
Kenny Leon - Topdog/Underdog
Pam MacKinnon - Downstate
Patrick Marber - Leopoldstadt
Adam Meggido - Peter Pan Goes Wrong
Max Webster - Life of Pi
Special Achievement Award
To B.H. Barry, one of the world's foremost fight directors, in recognition of a distinguished six-decade career capped off with Camelot at Lincoln Center Theater.
Lol!
It’s so weird they put Broadway and Off-Broadway together in some categories but separate them for others
Broadway Star Joined: 10/14/21
Really weird batch of nominations. The obvious highlights are no acting nominations for Sweeney or Camelot, and Julia Lester as the only Woods nominee? Just strange.
These are always good for a laugh.
Leading Actor Joined: 8/11/05
Always an eye-rolling affair.
These are always so bizarre and I hate that they kept it to five nominees when neutralizing the acting categories since so many people get shut out.
Also, my dislike of NY, NY is STRONG so the fact that two of the five Broadway musical performance nominees went to Colton and Anna really sticks in my craw…
Me, to the Outer Critics Circle:
quizking101 said: "These are always so bizarre and I hate that they kept it to five nominees when neutralizing the acting categories since so many people get shut out."
This is one of the reasons why I personally don't think the Tonys should remove gender specific acting categories. Sure, their genderless acting categories could have up to 10 nominees. But as long as the Tony Awards are a marketing tool for Broadway, I don't see them making major changes anytime soon. I’m sure producers would especially appreciate gender specific acting categories being kept intact so that their shows would have more opportunities to win awards.
These are WILD.
I realize that many shows that will dominate the Tonys were not eligible, but even with that caveat...yeesh. OCC is making choices per usual. Enjoy the day NY, NY. This will probably be your biggest nomination haul of the season.
Also I am TOTALLY for all-gender categories. BUT...you cannot keep it at five nominees if you are going to combine genders AND combine Broadway with Off-Broadway. That's just insane.
This definitely proves why going down to single genderless categories of five nominees in a category won't work. Only half of the people get recognized who would have before. If other awards shows want to get rid of the genderless categories, that's fine, but I really hope there's a better solution than just eliminating possible nominees.
I know these aren't to be taken that seriously but it does look like NYNY has some strength.
Mr. Wormwood said: "
I know these aren't to be taken that seriously but it does look like NYNY has some strength."
Some of the other previously most-nominated productions include Anastasia, SpongeBob, American Psycho, Something Rotten, and Nice Work if You Can Get It, none of which would go on to perform well with the Tonys. Being most nominated by the OCC is a dubious distinction.
Broadway Star Joined: 6/29/14
Are they like the equivalent of People's Choice Awards?
Updated On: 4/26/23 at 10:55 AMBroadway Legend Joined: 1/25/20
Removing the gender separation and not expanding the amount of nominees to closer to 10 is absurd.
FYI, here's the list of critics:
https://outercritics.org/critics/
Understudy Joined: 8/22/22
The roster of New York critics is truly sad. So few women write for the major publications and there are so many out of touch ones . London has women writing for all major publications and on the whole, far more writers who don't make reviews a chore to read.
Can someone explain to me why despite splitting all of the Acting categories and top prizes Kimberly Akimbo's Broadway run was not deemed eligible in those specific categories?
I semi understood when only the new Play and Musical categories were split why they wouldn't want to reconsider an Broadway transfer of an off-Broadway production, but now that the acting categories are split as well it doesn't make sense to me why the Broadway run wouldn't get new consideration.
It is also very interesting that only John Kander and Lin Manuel Miranda are nominated for New York, New York's score, thus Fred Ebb's contributions were deemed ineligible. This could be foreboding for the Tony's.
Broadway Legend Joined: 2/10/11
MayAudraBlessYou2 said: "These are WILD.
I realize that many shows that will dominate the Tonys were not eligible, but even with that caveat...yeesh. OCC is making choices per usual. Enjoy the day NY, NY. This will probably be your biggest nomination haul of the season.
Also I am TOTALLY for all-gender categories. BUT...you cannot keep it at five nominees if you are going to combine genders AND combine Broadway with Off-Broadway. That's just insane."
I have said before that they should have 10 nominees and give the award to the top two vote getters. In some years, the winners will both be from the same sex, in another one of each…depends on the year and the performances. Best example: in 1964, Streisand and Channing would have both won and Bert Lahr would have lost for his undoubtedly fine performance in a 10 week flop. To take it further, maybe this year Jodie Comer and Jessica Chastain would have won Actor in a Drama, with no award given to a male actor (just an example).
Broadway Legend Joined: 4/14/11
Kad said: "Mr. Wormwood said: "
I know these aren't to be taken that seriously but it does look like NYNY has some strength."
Some of the other previously most-nominated productions include Anastasia, SpongeBob, American Psycho, Something Rotten, and Nice Work if You Can Get It, none of which would go on to perform well with the Tonys. Being most nominated by the OCC is a dubious distinction."
I mean, Spongebob, Something Rotten and Nice Work all went on to win at least 1 or 2 Tonys, which is probably about the best NYNY can hope for. So, this checks out.
Broadway Legend Joined: 3/24/14
Kad said: "Mr. Wormwood said: "
I know these aren't to be taken that seriously but it does look like NYNY has some strength."
Some of the other previously most-nominated productions include Anastasia, SpongeBob, American Psycho, Something Rotten, and Nice Work if You Can Get It, none of which would go on to perform well with the Tonys. Being most nominated by the OCC is a dubious distinction."
3 out of 5 examples you gave also received 10+ nominations at The Tonys. So, maybe NYNY is in a good ride.
You guys really think NYNY cant get 10+ nods at The Tonys??
NYNY has a lot of nominatable elements, but not as many as SOME LIKE IT (no supporting contenders for NYNY and possibly no score depending on how that ruling plays out).
Something like Kimberly is not going to contend in design or choreo awards, which lowers its tally.
It’s like LA LA LAND or THE REVENANT getting the most Oscar noms in their respective years because they have the showier elements.
TaffyDavenport said: "FYI, here's the list of critics: https://outercritics.org/critics/"
It's just the executive committee that does the nominating. The giant list of critics is only chooses winners.
David Gordon is a journalist of integrity and brought needed change to the organization (and brought the average age of the nominators down slightly), but for the most part the OCCs remain a clown show and an excuse for comps and hobnobbing. Several of the exec committee members aren't even actively working as critics.
Executive Committee
David Gordon - President
Richard Ridge - Vice President
Joseph Cervelli - Recording Secretary
Patrick Hoffman - Corresponding Secretary
David Roberts III - Treasurer
Harry Haun - Historian / Board Member
Cynthia Allen - Website Editor & Administrator / Board Member
Janice C. Simpson - Board Member
Doug Strassler - Board Member
Leading Actor Joined: 8/11/05
MadsonMelo said: "Kad said: "Mr. Wormwood said: "
I know these aren't to be taken that seriously but it does look like NYNY has some strength."
Some of the other previously most-nominated productions include Anastasia, SpongeBob, American Psycho, Something Rotten, and Nice Work if You Can Get It, none of which would go on to perform well with the Tonys. Being most nominated by the OCC is a dubious distinction."
3 out of 5 examples you gave also received 10+ nominations at The Tonys. So, maybe NYNY is in a good ride.
You guys really think NYNY cant get 10+ nods at The Tonys??"
Steel Pier got 11!
Broadway Star Joined: 4/3/17
I heard Downstate was great, but having four out of five supporting performance slots go to one show seems like overkill.
Updated On: 4/26/23 at 12:32 PMChorus Member Joined: 5/2/09
TBH the 4 supporting noms for DOWNSTATE make complete sense to me. It was on another level.
Videos