Vincentelli loved Lansbury, and just liked Zeta-Jones.
Trevor Nunn's murky-looking production (did he and lighting designer Hartley T A Kemp take the "night" in the title literally?) isn't particularly subtle or graceful. Lacking both nuance and energy, it struggles to match the sophistication and gamesmanship of Sondheim's score, which evokes the effervescence of love, the abject pain it can cause, and the melancholy of its aftermath -- sometimes all in the same song.
link fixed NY PostUpdated On: 12/14/09 at 06:35 AM
withoutatrace, you thought leigh ann larkin was wonderful? Oh my gosh. Ok now at least i have a litmus test for where your intelligence concerning theater lies. her performance was dreadful. Absolutely dreadful. Worst acting i have seen on a broadway stage since...I don't even know when.
I don't understand how anyone can complain about the show itself. The book is one of the best. It's intelligent, funny, intelligent, and beautifully constructed. The score is genius. It is one of my all-time favorites having done it myself many times with Jean Simmons, Hermione Gingold, Dorothy Collins in different productions. I also think that it's fascinating that Ramona Mallory who plays Anne is the daughter of the original Anne, Victoria Mallory. I love this show.....and I wish it well. Angela is perfect. I have done SWEENEY TODD and MAME with her, and she is the best there is! I wish them all luck, and I would give anything to see it....
Astonishing. Brantley complaining about a Trevor Nunn production? Nunn must have fallen behind in his bribery payments.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/
Yet, again, it comes down to money. I am really looking forward to seeing the show tomorrow night but know full well that the show will look cheap and the sound will be cheap. You do not mount a classic musical with some stupid "vision" that is a way to cover the fact that you do not want to spend the bucks. If this show looks cheap I can imagine the forthcoming miscast Promises. . .
Do you know what happens when you let Veal Prince Orloff sit in an oven too long?
Randi was not a fan of the production, or Lansbury.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
"Sondheim being Sondheim, you know that anything he writes is going to be intelligent, sophisticated, witty and lyrical, often self-consciously so. That's all there in the revival of his 1973 musical "A Little Night Music," directed by Trevor Nunn whose acclaimed London production made the trip across the pond. As modern musicals go, it's considered by many the gold standard and this production turns out to be beautiful and deeply resonant, hitting every note with stunning honesty.
...
Trevor Nunn's direction cut right to the soul of this work meticulously casting great voices all equally adept as actors. The complex material is well served by all of them. Other standouts include Aaron Lazar as the blustery Count Malcolm, and Ramona Mallory, playing Egerman's much too young wife.
But it all really comes down to Zeta-Jones. And when she finally sings "Send In The Clowns," exquisitely I might add, she sends us into musical ecstasy.
The show is long -- three hours with intermission and there are spots that could be cut. Too much of a good thing perhaps. But Sondheim being Sondheim, the virtues far outweigh the flaws." Review and Video
Typical of the reviews Sondheim gets...ALL over the map.
The tally so far:
5 Raves 6 Positives 5 Mixed 2 Negatives 0 Pans
But the reviews may not matter with this production. SO far the box office numbers have been very strong.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
How can there be truth in a contradiction :P? Contradictions by definition are necessarily false.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Contradictions are not necessarily false. They merely suggest a lack of consistency. If I say the coffee is too bitter and you say the coffee is too sweet, the opinions are inconsistent but it does not mean that either of us is right, nor does it change what the coffee IS.