-Ben Vereen was one of the only aspects of the original Broadway production of Jesus Christ Superstar to get a Tony nomination and he got fired halfway through the run and replaced with Carl Anderson. Correction, from Ellis Nassour's
Rock Opera, interviews with the cast, and my own speculation:
According to cast members we interviewed, Ben knew his voice could hit the notes, but wasn't cut out for doing Judas' material eight times a week. (This led him to lead a loner lifestyle trying to preserve his voice, staying quiet, spending most of his time in his dressing room.) Ben was a last-minute audition because Tom O'Horgan had this vision of Ben in the role and Ted Neeley as Jesus, whereas the producers preferred Carl and Jeff Fenholt from the concert tour; the final compromise was Ben and Jeff (with Ted getting chorus and Jesus understudy, Carl getting the L.A. opening, and both Carl and Ted getting screen tests for the film).
This made the backstage situation tense, according to Nassour's book. Lines were drawn between Fenholt on one side and Vereen on the other; Ben felt he was being held back, and he had no problem complaining about things he didn't think were going well. He apparently didn't take kindly to the producers "creating an unhealthy atmosphere" by hiring/firing at will and being so engrossed in making money that they didn't care about hiring/firing the right people. The situation became even more tense when the Tony nominations came in: Ben made quite a stink about his (and, to his credit, Fenholt's) name not being given above-the-title billing, and nothing being done in the way of a promotional campaign to win the Tonys (they didn't even mention the nominations in the ads).
The producers apparently got their chance to react as they chose when Vereen developed polyps on his throat, went in for major surgery (during which time an understudy, I believe it was Kurt Yahjian, filled in), and when he got back, Ben was willing to do eight shows a week, but the management felt it was too strenuous and didn't want him to blow his voice out again, so they arranged a split-week performance schedule where Ben did four shows a week and Carl did four shows a week. When Carl left to play Judas in L.A., the management said, "Okay, Ben, time to do eight shows a week." But Ben now agreed with the management's original feeling that eight shows a week was too strenuous. Saying they were "only thinking of the good of the show," they fired Ben, who got the last laugh by going right into rehearsals for
Pippin. He was replaced not by Carl, who was in L.A., but by Patrick Jude.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
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Updated On: 12/11/14 at 07:10 PM