This is the Chocolate Room. I can't believe how small this thing is.
"
Wow. That is tiny.
On the one hand, I understand the temptation to emphasize imagination over anything else with the set design. The design could work pretty well on tour, even, in smaller venues. On the other hand, it does not look good at the Lunt-Fontanne.
The issue with that design isn't that it's minimalist- it's that it literally looks like a model of an actual set. There is absolutely a way to do a set that requires imagination, but this one just looks like someone screwed up building it.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Saw the show tonight. The show is not the mess this board makes it up to be, but it is not the show we deserved. Simply put, I think the main issue is a lack of coherence. Half of the sets follow a sort of abstract, expressionist emptiness which is beautiful, but then the next set will be one realistic set piece amidst this space which makes you wonder "if they're going to just drop the abstract design, why didn't they build more set pieces?"
The new music made me miss the london score deeply. The new music (for the most part) either made no sense in context, or slowed down the plot. However, it's not all bad. The new song for the great glass elevator scene is gorgeous, and it is also the best visual in the show.
In terms of the book, it had plenty of laughs, and it guides you through the story well enough. However, the show kills Wonka as a character. He is completely humanized, and it takes away the magic, and replaces it with manic. Borle is incredible, but it makes no sense to make Wonka present from the first scene, a man who literally steps out and reveals his reason for being here, and then treat him like this magical mysterious candy man in the second act.
The cast is wonderful. The show has its moments. Would I tell someone to go see it? Probably not, but all my friends are actors and theatre artists. If you throw your inhibitions out the door, you will have a great time. It's good for the tourists, and that's about it.
Just wanted to thank you all for preview impressions. I didn't want to see this show when I first heard about it. Then in that panic Hamilton mode "It's going to be huge, should I just buy tickets now before it gets crazy?" I almost bought tickets. Then the previews happened and I started reading the thoughts on here. While I don't think it's going to be as bad as I'm reading it is, I don't think it's for me. I detest expensive Broadway shows that cater to the masses including parents with children. Matilda and Aladdin were nightmares audience wise (the shows too IMHO).
I have been noticing that the advertising seems to be emphasizing the "Pure Imagination" theme, unless I'm just noticing it more because all I've heard about the lack of set and visuals. I think I'll wait and see if it gets on TDF (usually the mark of an empty house if it's not in previews). Otherwise, I can't wait for the reviews (unless it's a critic's pick like Groundhog Day is in the New York Times, SMH)
Regarding the chocolate room, they also spin it around at least once (maybe twice) as Augustus goes up the pipe. I still can't figure out why they do so, but everything was happening so fast I may have missed the obvious reason.
MaddieBB12 said: "Regarding the chocolate room, they also spin it around at least once (maybe twice) as Augustus goes up the pipe. I still can't figure out why they do so, but everything was happening so fast I may have missed the obvious reason. "
As far as I could tell, the chocolate room rotated to show the "pipeworks" at the back of the set piece. Of course, the oompa loompas never actually interacted with the pipes because the turned the piece back around for Augustus to fly out, so it was easy to miss.
While I do agree that this is not the worst piece of theater I've ever seen, it is, without a doubt, the most disappointing.
I love, love, love the book, the Gene Wilder movie, Christian Borle, Jackie Hoffman, Ben Crawford and Hairspray and had been looking forward to seeing this production since it was announced.
I think the biggest problem for me was the management of expectations as to what this show was going to be.
- The Producers clearly spent a lot of money on advertising. The commercials were beautiful and in no way required you to use your own imagination to envision this magical world. It was bright, happy and lush.
- They spent a good deal on decorating the outside of the theater (clearly marketing to kids).
- They partnered with Dylan's Candy Bar (again, clearly marketing to kids).
- The sets in London were amazing.
All of the above pointed to an amazing, beautiful set and a show that was appropriate to bring children to. Instead we got an incoherent, sparse, inconsistent stage design, cheap looking projections and at least two of the children being gruesomely killed (one by squirrels and one by being blowing up).
I did love two of the songs (Must be Believed to be Seen and View from Here) but the rest of the score is bland and at times irritating.
Saw last night's show... and was happily surprised. After reading all the posts here and having seen the show in London I was VERY worried about this show. Although it is a much more subtle show than in London, I actually did not hate it. I was disappointed with some changes (Violet's songs were better in London, the kids are played by adults, and the sets are small), I do not think it is as bad as people are making it out to be. Christian is amazing, Emily was awesome but not used enough, and Ms. Jackie Hoffman was hilarious and a much needed addition to the cast. I was also disappointed with the stage door - the three people I know and am a fan of did not come out - Borle, Hoffman, and Padgett. I got everyone else's autograph.
So now there's to be an animated remake starring... Tom & Jerry? Behold: the trailer for "Tom and Jerry: Willy Wonka and the Chocolate Factory." Gaze upon it and despair.
I can't find an imdb page to confirm who is doing the voice over work. This looks as terrible as the animated "King and I" remake. The licence is not being treated with care.
tmbyru said: "I was also disappointed with the stage door - the three people I know and am a fan of did not come out - Borle, Hoffman, and Padgett. I got everyone else's autograph."
Borle rarely/never stagedoors, he's very shy and has said before that it's really not his cup of tea.
Kad said: "tmbyru said: "I think paying high prices for shows means you can get over being shy and come out and sign my Playbill. I won't even make eye contact."
An actor's obligation to you ends when the curtain comes down.