I do think Ebersole’s bonkers beliefs HAVE affected her work, though. I don’t think she works nearly as often (in high-profile projects) as someone of her talent should. I have a friend who insists I separate the politics from the performance and I really cannot do that when the beliefs are as dangerous as some of Ebersole’s.
There’s also a new crop of fans (who emerged with War Paint) who think her 9/11 trutherism and anti-vaxx stances are cute quirks. They’re young and obviously don’t remember 9/11, but that makes me worry for the future.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad