What do you think is the cleverest Broadway lyric? I'm thinking best use of rhyme, but anything witty, really.
The first thing that comes to mind to me is,
"When a person's personality is personable,
He should not sit like a lump.
It's harder than a matador coercin' a bull
To try to get you off of your rump."
Oh, and everything from "A Little Priest."
Updated On: 2/1/10 at 04:31 PM
I've always been partial to:
"While her withers wither with her"
Understudy Joined: 7/6/09
I've always liked, "Wishes come true, not free" from Children Will Listen. And all of Your Fault is pretty clever, IMO.
Broadway Legend Joined: 7/18/03
To me a clever lyric is one that is not identified as such when first heard.
And oh, the towering feeling
Just to know somehow you are near.
The overpowering feeling
That any second you may suddenly appear.
Twin interior rhymes, one masculine, one feminine in the A line and a masculine rhyme in the B line. Effortlessly clever, but knowing about Lerner, these four lines probably took a week to write.
From City of Angels:
Though I've never seen her,
I've seen girls like this, so young and ripe.
Your missing Miss is not the type
To miss a misdemeanor.
From ONCE UPON A MATTRESS:
Alas, a lass is what I lack
I lack a lass
Alas, alack
Set to the cadence of a locomotive train, the lyrics from Rock Island from The Music Man:
Cash for the merchandise, cash for the button hooks
Cash for the cotton goods, cash for the hard goods
Cash for the fancy goods
Cash for the noggins and the piggins and the frikins
Cash for the hogshead, cask and demijohn. Cash for the crackers and the pickles and the flypaper
Look whatayatalk. Whatayatalk, whatayatalk, whatayatalk, whatayatalk?
Weredayagitit?
Whatayatalk?
Ya can talk, ya can talk, ya can bicker ya can talk, ya can bicker, bicker bicker ya can talk all ya want
but it's different than it was.
No it ain't, no it ain't, but ya gotta know the territory.
Etc....
"When I'm Not Near the Girl I Love" from Finian's Rainbow.
Anything by Howard Ashman.
It's fop...
Finest in the shop...
And we have some shepherds pie peppered
With actual shepherd on top...
Stay away from
Jazz and liquor
And the men who
Play for fun
That's the thought that
Came upon me
When we both reached for the gun!
Guess what, an invitation
Guess who, begins with an A
Armfeldt, is that a relation
To the decrepit Desiree?.
she's monstrous!
She's frightened
Unfeeling!
Unversed. She'd strike you as unenlightened
No I'd strike her first!
I'm partial to the lyrics in Please, Hello personally.
On the steps of the Palace, but especially the last few lines...very clever
Now it's he and not you
Who is stuck with a shoe,
In a stew, in the goo,
And you've learned something, too,
Something you never knew,
On the steps of the palace.
I love On the Steps of the Palace! Especially the lines:
But then, what if he knew
Who you were when you know
That you're not what he thinks
That he wants?
And then what if you are...
That entire song is one of Sondheim's most clever works.
"I'm partial to the lyrics in Please, Hello personally."
As am I- particularly the wonderful Gilbert and Sullivan pastiche for the British admiral.
I was listening to The Goodbye Girl today and these David Zippel lines jumped out...
Who would have thought
I'm enough of a fool
To be taking the plunge
After draining the pool.
From the master of witty and clever, Cole Porter:
There's a prince whose home has become a must
For the lower men of the upper crust
Cause his high born wife
Has such a low cut bust
Come along with me
If you'd like to dine with an old Marquis
Who will swear that technically he is free
But his wife's the only technicality
Come along with me
from Can-Can (1953)
Can-Can has really clever lyrics, I think. I especially like:
If in Deauville ev'ry swell can
It is so simple to do,
If Debussy and Ravel can,
'Twill be so easy for you.
If the Louvre custodian can,
If the Guard Republican can,
If Van Gogh and Matisse and Cézanne can,
Baby, you can can-can too.
If a chief in the Sudan can,
If the hefty Aga Khan can,
If the camels in his caravan can,
Baby, you can can-can too.
Of Sondheim, I think "You Must Meet My Wife" takes it for me.
In view of her penchant
For something romantic,
De Sade is to trenchant
And Dickens too frantic,
And Stendhal would ruin
The plan of attack,
As there isn't much blue in 'The Red and the Black.'
De Maupassant's candour
Would cause her dismay,
The Brontes are grander
But not very gay,
Her taste is much blander,
I'm sorry to say,
But is Hans Christian Andersen ever risque?
Which eliminates A...
from LADY BE GOOD
Who takes care of the caretaker's daughter
When the caretaker’s busy taking care?
Gee! Oh gosh, oh gee
That’s what worries me.
I know the caretaker must take care
And while he's taking care she's alone somewhere
But who takes care of the caretaker's daughter
While the caretaker’s busy taking care?
Who lays the bricklayer's daughter
While the bricklayer's busy laying bricks?
Gee! Oh gosh, oh gee
That’s what worries me.
I know that the bricklayer lays lots of bricks
And you could too if you knew his tricks
But who lays the bricklayer's daughter
While the bricklayer’s busy laying bricks?
Wear your hair down
And a flower
Don't use makeup
Dress in white
She'll grow older by the hour
And be hopelessly shattered
By Saturday night
I'm SHOCKED no one has mentioned this one yet, Lapine/Sondheim SITPWG:
"Work is what you do for others... art is what you do for yourself."
More profound than clever, but whatever...
P
Also, not so much for rhymes (though they are great),
"Exhibit A" from Sondheim's SATURDAY NIGHT is hilarious for the way builds on itself musically and lyrically.
I'm SHOCKED no one has mentioned this one yet, Lapine/Sondheim SITPWG:
"Work is what you do for others... art is what you do for yourself."
More profound than clever, but whatever...
In that vein, a favorite of mine:
Stop worrying where you're going-
Move on.
If you can know where you're going,
You've gone.
Just keep moving on.
My Fair Lady is loaded and my favorite is in Show Me
"anyone who's ever been in love will tell you that
this is no time for a chat!"
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