8 months is extremely fast to recoup any musical production on Broadway in this day and age! This show is the little engine that could, and I bet nobody is more surprised to see it become a weekly sell out than its own lead producers. Congratulations!
“I knew who I was this morning, but I've changed a few times since then.”
So happy for them! And it can only be a good thing that producers and investors of an original musical with an unknown writing team and no stars in the cast are getting this kind of financial reward! One can only hope it'll motive others to make brave choices and give little shows that don't much going for them on paper a chance!
Wow, what fabulous news for them (and Sweeney!). Today's one of those days that gives me hope for the future of theatre...seeing original musicals and off-Broadway shows do so well is so wonderful.
SO happy for this show. Wishing it a very long, healthy run on Broadway & also on tour and in Toronto.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Yay. Proof that amateurs can make it in the big scary world of Broadway!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
qolbinau said: "Yay. Proof that amateurs can make it in the big scary world of Broadway!"
You piss me off some times
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
You and 99% of this board feel the same way I'm sure, don't worry. I’m half kidding though. For all its sappiness, indistinguishable songs and skeleton production values I still enjoyed it and don’t regret going.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
qolbinau, your reaction perfectly encapsulates the spell this shows seems to cast. I wasn't terribly interested in seeing the show when I was in New York last spring, my wife is even less interested after seeing the Tonys, and yet even the types of folks I would expect to hate Come From Away usually don't hate it. (There are exceptions, but not as many as I expected.)
At some point, I'll probably see in on tour (even if I have to go alone) just to see what I think.
But yes, I do think the success of another original show with no stars, or even borderline stars, is a very good thing for Broadway.