MemorableUserName said: "I just got back from tonight's show. I really enjoyed the show the first time I saw it without really loving it. This time I loved it.
- Claybourne Elder continues to be one of the best things about this production. He's hilarious, finds unexpected line readings that make them even funnier, and does completely unexpected, wonderful things. I thought he was just as good, and maybe better, than the first time I saw it. I really hope he gets a Tony nod.
- This group of understudies is incredibly strong, and in most, and perhaps all, cases I would have believed they were the regular performers. Tally Sessions was a great Harry and a perfect match for Simard (who I loved even more). I thought I'd miss Fitzgerald, but Matt Wall made me completely forget about him as a just as good, and completely different, David. Javier Ignacio made for a very sweet, likeable Jamie, even if I felt like the song got away from him a bit, so some of the laugh lines were lost. (Britney Coleman was great as the priest, and that role continues to be the highpoint of that number.)
- The revelation for me was Heath Saunders as PJ. The "Another Hundred People" number didn't work for me at all the first time I saw the show; I thought it was too frenetic and messy (and not just in the way it was supposed to--I just thought it was a mess). I have to wonder if it's because Conte played it as messy and frenetic, while Saunders has the required energy, but also was a lot more controlled. The number just clicked for me in a way it didn't before. Saunders had a really interesting, and compelling presence, and the sexual fluidity of the number really worked (I can't even remember if Conte played it that way; if so, it was unmemorable for me).
- Nikki Renee Daniels sounded as glorious as I thought she would. If Lenk's is a cool, sophisticated, aloof Bobbie, Daniels was more of a likeable, girl-next-door Bobbie. I could see why these people all wanted to hang out with her and cared about her, and that Doris Day line of Joanne's landed in a way it didn't with Lenk. That said...it did make me appreciate how strong Lenk's acting is in the role. Bobbie (or Bobby) as written is a character that can easily be too much of a cipher and it's up to the performer to provide much of the depth. I think Lenk does that. Daniels never did--though to be fair, it was only her second performance, while Lenk had months to work on it. Lenk has those moments of connection with other characters where it really feels like she's searching for something and trying to connect. Those moments were either glossed over or just didn't play the same way, losing their impact as Daniels did them. She sounds beautiful in the big numbers--the audience burst into applause at a big moment in "Being Alive," which I understood--but I never really got the sense of revelation and discovery that Lenk managed and the song really needs. It was "just" beautiful singing. But again, if she has more time in the role, maybe she'll get there, and yes, she was a pleasure to listen to.
Glad I went. Even with so many regulars out, it's such a strong cast and production."
Thank you so much for that!
I hate the staging of “Another Hundred People” in this revival so much because it’s simply too busy, but I don’t attribute that to Conte, whose voice I love. You make me wish to see Saunders, though.
I really hope I get a chance to see some of these talented understudies. I hope those who are out feel better soon!
2010
Feb. 28 - Looped, Feb. 28 - Next to Normal, March 4 - Hair, March 11 - A Little Night Music, March 24 - Time Stands Still, April 6 - La Cage Aux Folles, April 10 - Anyone Can Whistle (City Center), April 10 - Looped, May 9 - Enron, May 15 - A Little Night Music, May 15 - A Behanding In Spokane, May 30 - A Behanding In Spokane, May 30 - A Little Night Music, June 20 - A Little Night Music, June 23 - Red, June 23 - Sondheim on Sondheim, July 13 - A Little Night Music, July 18 - The Grand Manner (Lincoln Center)