DOCTOR ZHIVAGO Reviews — Page 5

Think any talk of a cast is as dead as the future of the show

Look forward to see Mutu and Nolan in the future.

The New York Times review isn't as bad as I thought it would be. He flat out says that if you like Les Miz and Miss Saigon you might like Doctor Zhivago but that it's not as good as either. He calls the score "melodic and skillful" but then says the songs are "indistinguishable." He compliments Mr. Weller with a "reasonable" job keeping the book "comprehensible" but calls out some of the less admirable romantic dialogue. He says Ms. Barrett "looks lovely and sings beautifully" but radiates blandness. He compliments Paul Nolan with being effective when "brash and reckless" but "less persuasive" as a leader. I feel like he did find some things to like but in his review he follows up each compliment with a contradictory remark to invalidate the prior sentiment.

""disneybroadwayfan22, it's actually been a pretty good year for musicals. Just fyi"
Exactly. I was just thinking we've got:
- an artistic triumph that challenges the form (Fun Home)
- a flat out fun time with broad appeal (Something Rotten)
- a historic swan song (The Visit)
- a sumptuous revival (King & I)


added to three other very well-done revivals (20th Century, On the Town, Side Show), and even some of the flops (and expected flops) were interesting. (Last Ship was earnest, Vegas was proficient though unloved, Shoulda managed to weave a credible entertainment through the sheer skill and rock-solid professionalism and timing of the actors and director)

But back to the BBQ...
"

Yes to all of this. It's been one of the best season for some time, especially straight threater. I look forward to revisiting a lot in the summer.

The Table is not happy with this website: (I edited the profanity)

The Zhivago Table @TheZhivago · 1h1 hour ago

The recording is already scheduled. I believe Rob Sher (of On The Town) is the producer of it.

Looks like the press team is in for a long night trying to find pull quotes.

Thanks, CATSNY, but we've all read the review. No need to reiterate it.

"I was merely noting the fact that Isherwood's review seemed contradictory to me and sighted examples from his review to support my observation."

Contradictory? If someone says to me, you did a great job taking the ingredients out of the refrigerator but when you actually cooked them, the dish you made tasted like sh!t, do you think they are really complimenting me for how well I removed the ingredients from the refrigerator?

Starting with some vaguely positive comment to cushion the major criticism you are about to make is a technique as old as time. He is just trying not to be excessively cruel and cut them some slack for a show that flopped badly. He didn't like it. That's pretty clear.

"it raves in Australia

Australian critics really say anything bad about anything, they get paid by the producers to review the shows, it could by the worst thing ever and an Australian critic will still find something nice to say about or talk about who was there on opening night!

Reviews in Australia are not worth the paper they are printed on!"

Lee Lin Chin should do Australian theatre reviews now that she's semi-retired. I feel like she wouldn't hold her tongue.

Updated On: 4/22/15 at 01:44 AM

I didn't find anything in the Zhivago Table Twitter page that is offensive to BWW. Apparently, the "table" is a semi-star now. OH, I found it: "@Broadway World: FU**ERS not one of you mentioned my performance." I wrote back: "You were a little "wooden."

Updated On: 4/22/15 at 07:02 AM

And while this may well be a mediocre pop-opera, even a good-to-excellent one would've got a thrashing, because opinion leaders want to keep this type of show down; even though it's still quite popular with the public, it's un-American. If Hunchback ever makes it to Broadway, it is going to have to be pitch-perfect to get good reviews.
And I doubt if these reviewers are any less self-serving than the Australian ones."

I was with you for the first line, but "opinion leaders" (whatever that means) are not some secret society trying to keep a certain style of show down. That's an absurd claim.

And "un-American"? Where do you pull this crap from?

It is possible that the show is just a bore you know, and it probably would be even if it were a book musical.

Anyhoo, I still very much enjoy a sung through piece if it's compelling (I think Rocky would have benefited greatly from being sung through). And I would love a recording.

It's a book musical. Let's keep the facts straight.