Jordan Catalano said: "songanddanceman2 said: "Jordan, it has more to do with the fact that Beetlejuice has since turned things around after a lot of hard work. I and many others presumed that the theatre would change for Music Man due to this.
It's a nasty thing to do in my opinion, I don't care how that sounds. This is getting closed for a celebrity cash grab revival, that's what I think sucks. "
Then If the show continues to break those records and theproducers see good reason to find a new home for it, then that’s what they’ll look into doing (if they’re not already). It’s hardly the first time a show has had to change theaters but it might be the first time it’s happened to a show with an under 14 following who don’t understand business and take everything as a personal affront to them because they “luv BTJ”."
Millennial irreverent nihilist humor certainly plays to older than 14. Also, understanding business, is understanding that in 2019, controversy no longer sells, bad news is no longer better than no news, and Bad PR is bad business, and forcing a popular, millennial focused show out that's doing well, for a revival produced by the most controversial name currently on Broadway, is a detriment. One thing Music Man had done well was have Rudin's name barely in focus, today he's what's being talked about with it, after a year of horrible PR.
The Music Man could have gone anywhere, into any big house that's normally problematic to launch in. In one step, Shubert and Rudin have alienated a much more powerful entertainment conglomerate, added controversy to a show that till now only had positive hype, and has highlighted a strong age divide in Broadway marketing. It is a bad business move, that will probably not impact the High Jackman run, but will have long term impact on Shubert contacting with major entertainment groups. This was an ego-driven f*ck up.