"You there....why are you so late..." Norma at the top of the stairs. Chills.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
The two best parts of an otherwise pretty dreadful show was Christine Ebersole appearing at the top of those pink stairs exclaiming "she's here", and Patti Lupone walking on stage exclaiming "It's so wonderful to be back in Manhattan!"
I graciously add the entrance of The Leading Player (Ben Vereen) in the original Bob Fosse's direction / choreography of Pippin: a haunting musical vamp followed by the reveal of a wall of just hands moving to the curious music. Then through the darkness we meet The Leading Player. Brilliant. Breathtaking.
BTW... loved the revival too, but the original entrance was, as the song said, "magic".
ARTc3 formerly ARTc. Actually been a poster since 2004. My name isn't Art. Drop the "3" and say the signature and you'll understand.
I haven't seen Dolly yet so can't give my opinion on that. My favorite entrance is Glinda appearing in her bubble and when Elphaba runs onstage in Wicked.
I'm also a weird one but I got chills when Christine Dwyer ran onstage as Sylvia in Finding Neverland.
Re: "Sing out, Louise!" (which by the way was not in the original script. It was handwritten in by Merman. Whether it was her idea or she wrote in an add from the creative team is unclear)...
Does Rose always enter from the back of the theatre down one of the aisles? Did Angela, Tyne, Bernadette and Patti all do that?
For me, Pierre’s entrance in Great Comet and not even when Josh Groban was in the show. Towards the end of the run there was a lot of excitement and anticipation, probably due to the fantastic set and costumes. I know I held my breath the last time I saw the show, a few performances before closing.
ARTc3 said: "I graciously add the entrance of The Leading Player (Ben Vereen) in the original Bob Fosse's direction / choreography of Pippin: ahaunting musical vamp followed by the reveal of a wall of just hands moving to the curious music. Then through the darkness we meet The Leading Player. Brilliant. Breathtaking.
BTW... loved the revival too, but the original entrance was, as the song said, "magic"."
I was just today thinking about PIPPIN and remembered this thread. I loved the entrance of the LP and the other leads in the revival. I saw the show a few weeks after the Tonys so I knew what to expect from the curtain drop but was still wow'ed.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I don't think any entrance in Broadway history tops Dolly at Harmonia Gardens but a few others I like:
- I think Bye Bye Birdie is really well constructed with the slow reveal of Conrad Birdie. The first time we meet him (in "Healthy Normal American Boy", he doesn't even speak. Then finally after more than half an act talking about him, we finally get to hear him in "Honestly Sincere"
- I've also always been fond of the Witch's entrance in Into the Woods