I can't compare the show in San Francisco to the Broadway version, which I didn't see. But I thought it was a moving production. Abby Corrigan was out on Friday, but I liked her understudy - Caroline Murrah - very much. One thing that did strike me, on reflection, is that Kate Shingle really does loom over the show even during the many times when she is silent. So the staging worked well enough for me. My eyes would catch her expression, even as my main attention would be on her younger incarnations. Alessandra Baldacchino is poised and does a terrific job as the young Alison. My wife and I met her, and her mother, after the show.
It's not one of those musicals where you leave humming, at least the first time. But it's a powerful show, ranking just behind Hamilton on Broadway and the San Francisco touring version of Hedwig and the Angry Inch as my favorite shows during the past year. (I know they're not new to you Broadway folks, but I've been catching up on musicals lately.)
The revamped Curran looks nice, and they even gave people a free drink (and cookies) after the show.
Updated On: 2/6/17 at 03:03 AM