Matt Rogers said: "I don't know who you think you are with this ridiculous and condescending crap. For the prices they are charging for this thing, it is a reasonable expectation that there might be a semblance of a set. A set is an integral part of most shows. They happen to give a Tony Award away each year for one of them."
Except you’re not paying for the set. You’re paying for the experience of going to see a show, and you’re literally paying into the weekly bank account for the show that includes paying salaries, rent, and returns on producer investments. Personally enjoying extravagant, detailed sets is one thing; but let’s not pretend “more” equals “better”.
Case in point, Mimi Lien took home the award for Best Scenic Design just a few short years ago for her design on Great Comet. It was sumptuous and grand, but deceptively simple: draped curtains, picture frames, chandeliers, and staircases. That’s it. No big set pieces, no reveals, no “wow” other than the experience of seeing it as you walked in. And it served the show beautifully.
Updated On: 2/28/23 at 11:22 AM