Patina Miller as Hermes. I'm down with that!
Wow, what a show! Incredible. I saw it last night, otherwise known as the "black umbrella" performance. ;_)
I loved Hadestown at New York Theater Workshop and didn't intend to see it again. A friend, however, has fallen in love with this production, and she persuaded me to go. I'm so glad she did, because it is indeed quite different from the downtown version. Rachel Chavkin did a marvelous job adapting it to the larger stage, and having the elevator was a great idea, considering where Hades is located. The turntable, however, is a bit overused. It's like having a new toy at Christmas. I got a bit tired of watching the actors spin around. But of course that's just a minor detail, and the scenes set in Hades were so striking.
All the elements come together to enhance the storytelling: sets, direction, scenery, lighting, music, performances. Plus, this is one of my top favorite scores from the past five years. It's so inventive, and played so well by a New Orleans style band. This score would stand out in any season, but particularly so now, with Beetlejuice, King Kong and Tootsie providing the "competition."
Just a must-see!
Updated On: 4/14/19 at 11:21 AM