Tenebre said: "My take on this show as a whole is that it’s about frailties — fear, doubt, insecurity— and the self-sabotaging things that we do to protect ourselves from them. So the wall to me is not primarily a political reference, but a symbol of the futile barriers that we build to try to save ourselves from our own fears. The topicality of it might work more or less depending on your view of the relationship of politics and theater, but I think the symbol is integral to the larger theme of the piece, and the song is critical in establishing that. (However, I do agree with many that it would be better as an opening for Act II. Can’t imagine why it wouldn’t work!)"
Anyway, I loved this. As many have said, the set and lighting design was breath-taking, and I thought the orchestration was really striking— lots of unusualinstrumental techniqueandgreat use of the variety of vocal timbres. The narrative shorthand for the ingenuerelationshipwas fine with me — this is a mythical work, not naturalist — and I thought itfunny and satisfying enough that theabruptness is acknowledged in text in their meeting song. I also didn’t need Hades to be “redeemed” — he’s a complex figure, and I didn’t need him tied up in a bow.His cathartic moment in Epic III is well earned and so affecting, but there is always history.In the end it’s a sad song, a tragedy, after all.
I love this interpretation!
I echo much of what was said here. Much of the show is beautiful, mesmerizing and truly unforgettable. The show is not without its faults but overall it's really powerful. The cast overall is fantastic (though I also didn't care for Reeve) and the entire show is visually stunning. The show is really refreshing and I'm so glad I finally got to experience it. I hope to return soon and see what else I can take away from it.