In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
PublicWorks shows typically only have a few professional or recognizable performers. The bulk of the ensemble will be community members.
The press release also indicates to me that Disney will not be particularly involved in this production. They've given the Public the rights to the material and have probably been assurance that their brand will be honored, but this will firmly be a Public production.
Disney granted the same sort of permission to the National Theater last year for Pinocchio. It's smart- instead of doing costly productions themselves, they are utilizing well-established and regarded theater companies to try more experimental artistic things and build awareness.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "Given PublicWorks' history ofusing community dance groups, martial artists, gospel singers (among others)... Hercules is a really great choice as a property for them."
This. Also, the movie has so many scenes that take place outside in a way that fits the general staging and vibe for a lot of Delacorte shows. I just want to see performers bring this music to life again. I'm very excited. I kind of care more about the Muses than any of the main characters. With the big ensemble, A Star is Born could sound amazing.
I also suspect it will be Jelani and Ashley Park in the title roles. Did anyone else see the series of readings/worshops they were in together on IG stories? I think it would be a fantastic pairing, I wish I could see the production!
as u said, it doesnt seems disney Is involved at all and I would guess Menken would Be talking about a Disney production like Aladdin or Frozen"
It is the same intellectual property. Not all Disney productions have been massive Broadway spectacles - Hunchback and Pinnochio, as well as Shakespeare In Love, come to mind. It's also possible that Disney is exploring more developmental avenues to get away from their shiny-intruders perception.
The Public Works shows are super fun- TWELFTH NIGHT was great last year. I think it's a smart way for Disney to test out HERCULES on stage to see if it has a future, show some community love, and give a little extra buzz to the reopening of the Delacorte!
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
There is also a Chase Brock connection. He choreographed the American productions oh HUNCHBACK and all over Europe where it is still running in Germany and Japan, I think.
The idea of Disney handing these pieces to more experimental venues is very, very, smart.
Kad said: "Disney granted the same sort of permission to the National Theater last year for Pinocchio. It's smart- instead of doing costly productions themselves, they are utilizing well-established and regarded theater companies to try more experimental artisticthings and build awareness."
Agreed. It's a win-win for them. If the production doesn't work, they didn't spend much money on developing it. And if it works, they can license it or move it.
Say it's a massive hit, do we see this playing the Newman or moving directly uptown? It seems such a commercial property for this kind of avenue. But it's exciting nonetheless.
"Massive hit" in this instance is hard to define. It's a very short run made up of free tickets, and it's a community engagement project so it's considered differently by critics. PublicWorks shows always end up with full houses.
And since it'll have that community engagement aspect, it's hard to commit to a longer run, since the bulk of the performers will be nonprofessional volunteers.
I didn't see Shaina Taub's Twelfth Night when it was brought back as part of the Shakespeare in the Park season last year, but judging from reviews, it seems it was reconceived to some degree and had to feature alternating community ensembles due to its longer (but still very short!) run.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."