Kevin Adams (HAIR) & Ken Billington (THE DROWSY CHAPERONE) [Lighting Designers]
Judith Schoenfeld (GREY GARDENS) & Barclay Stiff (LOSING LOUIE) [Production Stage Managers]
Rachel Bress (9 TO 5) & Geoffrey Garret (MARY POPPINS) [Associate Choreographers]
Marc Bruni (LEGALLY BLONDE) & Tara Young (THE PIRATE QUEEN) [Associate Directors]
Roger Allers (THE LION KING) & Rupert Holmes (CURTAINS) [Book writers]
Sergio Trujillo (JERSEY BOYS) & Meryl Tankard (TARZAN) [Choreographers]
Kimberly Ann Harris (THE COLOR PURPLE) & Chris Clay (42nd STREET) [Performers]
Tom Broecker (EVERYDAY RAPTURE) & Elizabeth Hope Clancy (PASSING STRANGE) [Costume Designers]
Cecille O'Reilly (AUGUST: OSAGE COUNTY) & Stephen Gabis (THE 39 STEPS) [Dialect Coaches]
Neil Armfield (EXIT THE KING) & Gary Griffin (THE APPLE TREE) [Directors]
Rick Sordelet (110 IN THE SHADE) & Thomas Schall (CORAM BOY) [Fight Directors]
Jonathan Deans (LA CAGE AUX FOLLES) & Peter Hylenski (SHREK) [Sound Designers]
Matt Clemens (LES MISERABLES) & Angelique Ilo (THE WEDDING SINGER) [Swings]
These are just a random one-credit sampling of people who have worked on Broadway. Names that no one outside of the theatre industry would know. Are these the type of people that Hunter Foster would want to be presenters at the Tonys?
If so, there is absolutely nothing wrong with that. But the consequence may be that CBS drops the broadcast.
Again I pose the question: is it worth it for the Tonys to become "more Broadway" and we potentially lose Broadway's 3-hour commercial?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle