It’s really not as complicated as people are making it out to be. It’s a theatrical show with music, dancing, and storytelling. I don’t have any issue with it in the musical category and I hope it wins Best Musical. What a thrill that something swept in at the eleventh hour to shake up this very disappointing season.
This is the ONLY new musical this year that I've loved. I'm team Illinoise for the win! (I don't see how it won't be nominated.)
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I can only speak (this week) to what I saw at the Armory… but having seen all of this seasons musicals Illinoise is by far the best musical of the season. Stunning night.
I have an absolutely silly question: How is this pronounced? With or without the 'S'. I've been assuming WITH, because of the inclusion of the E. (Ill-i-noise) But since the title refers to the state, maybe not.
Anyone know??
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
dramamama611 said: "I have an absolutely silly question: How is this pronounced? With or without the 'S'. I've been assuming WITH, because of the inclusion of the E. (Ill-i-noise) But since the title refers to the state, maybe not.
Anyone know??"
It’s pronounced as written (ill-i-noise) and is an allusion to the cover art of Sufjan’s album Illinois (pronounced like the state), which says “Come on! Feel the Illinoise!”
Does anyone think we will get a new recording? I've been listening to the original album, but would love to hear these voices again!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Hate to be that person, but just curious how sightlines are for this production at the St. James. Eagerly excited for this next month, and I have tickets in the front mezz. Will I be fine up there or should I spring to upgrade to the orchestra?
Which seat, center, extreme sides? House right? Left?
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
ElephantLoveMedley said: "Hate to be that person, but just curious how sightlines are for this production at the St. James. Eagerly excited for this next month, and I have tickets in the front mezz. Will I be fine up there or should I spring to upgrade to the orchestra?"
I had row J in the mezz, on the left side, and I thought it was a great seat to see everything on stage (just narrow, but my seat mates and I worked it out). Granted, the aisle was in front of row J so that helped limit any heads in the way. I could see all the singers and almost all of the band, the musicians to stage right were maybe slightly blocked
I saw this afternoon's matinee and thought everything about it was absolutely stunning. It's been a while since a show moved me that much. Beautiful work from everyone involved, from the dancers to the musicians to the vocalists to the designers, and a special shoutout to Jackie Sibblies Drury who I'm sure helped to shape the narrative as the co-bookwriter. They've really created something special here, and for my money it totally qualifies as a musical. Justin Peck's choreography and direction are spectacular and thrilling and so deeply felt.
For anyone wondering, I got tickets through TDF and my seats were left front mezz and I thought they were perfect. We were far back enough to take in the whole stage and the band and singers, but still close enough to see the dancers' facial expressions.
I'll just add: if avoid the extreme house left...ANYWHERE in the theater. You can't see the changing billboard. Is it a deal breaker? No. I was in the mezz, Row B, seat 19... Couldn't see it, but could see everything else beautifully.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I am NOT a fan of modern dance. It's just not my jam. I can appreciate it for what it is but it's not something I've ever been able to get into. So going into this tonight I was happy it was only 90 mins - in and out and then I'll have seen everything this season. As we stood up, my friend asked if I was ok. I guess I had been audibly sobbing, my face totally wet. I haven't been moved by something to this degree in quite a while. And like I said to him, while I might not be able to tell you EXACTLY what the whole thing was about, I can tell you how it made me feel. And it absolutely destroyed me.
I saw today’s matinee. I also saw it at Bard and the Armory.
And I can’t overstate how much I love this show. It feels tighter and richer than at the Armory. They expanded the danceable space just a hair. The sound and lighting is superb. Brandt Martinez slays the Superman number. Ricky Ubeda is heartbreaking.
The whole thing is absolute theatrical splendor. Near perfection. I was in tears from some of the opening chords, and they never stopped.
And then I saw The Wiz tonight. So, you know, highs and lows.
ElephantLoveMedley said: "Hate to be that person, but just curious how sightlines are for this production at the St. James. Eagerly excited for this next month, and I have tickets in the front mezz. Will I be fine up there or should I spring to upgrade to the orchestra?"
I sat at Row D at the Front Mezz and unfortunately I did not like the slope of the Saint James as even an above average height person obstructed my view of the down stage where all the dancers perform. But fortunately the next seat was empty and I have a clear view of the center stage and see their wondrous facial expressions. Also for those wondering I noticed the stage is quite high as you would need to crane your necks if you are in the first row. I sat in the first row at the Armory but the seats were placed farther from the stage and enjoyed that immensely.
Comparing Orchestra and Mezzanine, I enjoyed the facial expressions of the cast obviously more when I was near them at the Armory and there are many emotional dance duets in the show that i loved seeing up close but I still can enjoy the large group dancing which looked even grander when I was at the Mezzanine at the Saint James. The only thing that I think made it more emotional when I was sitting at the Mez is the sublime lighting design of this show. I think that added to the heart rendering emotion that I had even more watching it the second time. So both sights have advantages and both can give you equally enjoyable, heart wrenching night at the theater.
side shallow note - I think the disadvantage of being too close to the actors is seeing and getting distracted at how gorgeous Robbie Fairchild was. Even though he was mostly in the background I always seem to levitate and set my gaze to him. Damn I was swooning in the entirety of his Man of a steel solo! The one who replaced him on Broadway Brandt Martinez is gorgeous and equally talented as well.