Call me a bitch, too - I thought it was okay - I wasn't entranced as most of you were by the music, which I found repetitious with the same chord progression in mostly every song. Michel Legrand this composer isn't, although Legrand is clearly his role model, just as the entire reason for this film's existence are the films Legrand wrote for Jacques Demy - they've admitted as such in interviews - but neither ARE Jacques Demy and while this film clearly apes so many aspects of Umbrellas of Cherbourg AND Young Girls of Rochefort, it doesn't work as well for me - mostly because they are copying a style, whereas Demy was creating one. Of course, kids don't know that, so there's that. This is just the "it" film this year - there's one every year.