Also Patti: "I'm playing Joanne in the London production of Company!""
Patti's said a lot of things over the years.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I admit, I'm not the world's biggest Patti LuPone fan, but she wasn't very good, in the Lincoln Center Company. I'm not sure why she'd be so great in this production.
Patti is a gifted actress who can completely reinvent her performance from production to production. It was astounding what she did with her Lovett from the Phillharmonic to Doyle’s revival. I assume the results will be the same here.
Her performance at Lincoln Center was Tony worthy. Her acting in the scene leading up to "Ladies Who Lunch" showed what a great dramatic actress she is and her "The Ladies Who Lunch" is the only version that didn't make me long for Stritch. But yes, she'll create a performance specific to this production and I'm sure she'll be stunning again.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
wolfwriter said: "I admit, I'm not the world's biggest Patti LuPone fan, but she wasn't very good,in the Lincoln Center Company. I'm not sure why she'd be so great in this production."
Take your commas and get outta here. She was absolutely thrilling.
Hoping for a cast recording of this. You'd think, since it's different in terms of character, we'd get one solely based on that. I'm also thrilled at the chance of this transferring and Patti winning her third Tony Award.
They/them.
"Get up the nerve to be all you deserve to be."
If they are making all these changes then why can't Barcelona be a lesbian moment; June/April is one of the best gags in the show and it is the year of same sex marriage after all.
Count me as another who was completely bowled over by her Joanne at Lincoln Center. Joanne is one of the most difficult roles in musical theatre. Patti made her funny, brainy, and manipulative in the most intriguing but loving ways imaginable, wisely and inventively avoiding the bitter and sour grandstanding in which so many other Joannes have smothered themselves. The bar scene was a master class in the art of subtext. Her choices in it were revelatory. Never before had that scene made so much sense or better set up the denoument and final curtain.
Unlike some, I'm not always unconditionally thrilled with Lupone's performances. But when she's at her very best, as she was in Company, there may well be no finer living actor.