Is the Embassy Ball the final scene of Act 1 or the first scene of Act 2? It usually ends the first act but sometimes people move it to the top of Act 2.
ColorTheHours048 said: "The waltz at the top of act two is lovely. Other than that, it’s all pretty standard. It’s not a choreography-heavy show. Gatelli’s work serves the story only when it needs to, unlike Justin Peck’s choreography for Carousel, which is obtrusive at every turn."
So then they did the change the Trevor Nunn production made of putting the ball scene after the intermission rather than before? I like it better that way because it ends act one on more of a cliffhanger, and the first act is long enough as it is.
Were the dance arrangements the original ones, the ones re-written for the Trevor Nunn revival, or new ones done by Ted Sperling? And were the orchestrations the original? I assume they were, but Sperling wrote fantastic new orchestrations for the Fiddler revival which I actually like more than the originals, though it's hard to imagine new orchestrations being able to compete with the incredible Bennett originals.
I think I read somewhere (Lerner’s memoir?) that it was always the authors’ intention to have the ball at the top of Act 2, but the set change back into Higgins’ house needed the intermission. The ball makes the first act LONG.
Maybe that's why the movie has the intermission occurring after Eliza descends down the staircase with Higgins offering Eliza his arm and then they all walk out his door.
So excited to hear that Act I ends with Eliza descending the staircase and the two of them leaving. Indeed, that marks a gorgeous dramatic climax.
I can't imagine moving the ball to the first act, especially for this production. My friend said Act I last night already ran a little over an hour and 45 minutes...
Are you able to see the pit/orchestra? Wasn’t in the South Pacific revival and (I believe) the king and I revival they had the pit open before the show started? I couldn’t quite tell from the images on Instagram
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Call_me_jorge said: "Are you able to see the pit/orchestra? Wasn’t in the South Pacific revival and (I believe) the king and I revival they had the pit open before the show started? I couldn’t quite tell from the images on Instagram"
No. And I’m glad Sher doesn’t use this device again. It worked beautifully twice, but he has a few other tricks up his sleeve for this production
BroadwayConcierge said: "So excited to hear that Act I ends with Eliza descending the staircase and the two of themleaving. Indeed, that marks a gorgeous dramatic climax.
I can't imagine moving the ball to the first act, especially for this production. My friend said Act I last night already ran a little over anhour and 45 minutes..."
Not to burst your bubble but she doesn't descend a staircase. She comes out of the multipurpose room.
Interesting that Act One ends with them going to the ball (just like in the movie), which I think is better than the original Broadway production's first act ending with the ball. I read that the Act One ball cliffhanger is what the guests were whispering about and what made Higgins laugh so loud and hard, then the second act begins with You Did It.
In "Show Me," does Eliza sing "Don't talk of June; don't talk of Fall; don't talk at all. Show me!," or does she sing "Please don't implore, beg, or beseech; don't make a speech. Show me!"?
I know this hasn't been talked about for a page or two, but thank god for the new ending!
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Higgins treats Eliza like crap and a total joke. Why the hell should Eliza end up with him? FFS, the last line in the show was (is?) "Where the devil are my slippers?!"
Seating wise, i'm all the way on the end nearest to the stage. How will my view be, do you think? I hate not being able to see all the way to the back of the set.
RippedMan said: "Seating wise, i'm all the way on the end nearest to the stage. How will my view be, do you think? I hate not being able to see all the way to the back of the set."
I was the 3rd seat off the outside aisle and you can see pretty much everything, a few parts are slightly obstrucred for a moment or two but nothing lengthy.
degrassifan said: "Interesting that Act One ends with them going to the ball (just like in the movie), which I think is better than the original Broadway production's first act ending with the ball. I read that the Act One ball cliffhanger is what the guests were whispering about and what made Higgins laugh so loud and hard, then the second act begins with You Did It.
In "Show Me," does Eliza sing "Don't talk of June; don't talk of Fall; don't talk at all. Show me!," or does she sing "Please don't implore, beg, or beseech; don't make a speech. Show me!"?"
Show Me had the Don't talk of June; don't talk of Fall line.
Lottery seat was Loge Row B middle 100. Not sure if the whole row was lottery winners but the person to my right and the two people to my left were lottery winners as well.
Didn’t notice any problem with amplification at all.
I’m a big fan of Norbert Leo Butz so I’m absolutely thrilled seeing him give such an amazing performance.
Good Lord, I can't wait for April vacation! My son's first time to ever see MFL and his first time at the Vivian Beaumont.
It's going to be a great trip! Thanks for all the pix and thoughts.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I only pray the cast album is as good as the show seems to be. I’m so excited for Lauren, and must apologize for my disdain when she was announced. With reviews this good, I know I’ll just love her interpretation - and so thrilled to hear her voice is perfect for the role. This shall teach me to keep an open mind in the future!
They/them.
"Get up the nerve to be all you deserve to be."
She was simply joyful to watch, even when not the focal point I couldn't help but watch her little motions and expressions."
Absolutely! “You Did It” is now all about Eliza/Ambrose. Pay close attention to all the things she does while the rest of the cast sing that song. There’s a moment where she sits down and slowly undoes the tiara out of her hair. Her actions are slow and deliberate; when she has it out, Ambrose stares at it as if it were the oddest item in the world. There’s anger, but it’s directed at herself. Shame. Anxiety. Exhaustation. (All the bad emotions ha). It’s both glorious and painful to watch. Reminded me of Raul blowing the kazoo in Side By Side/What Would We Do Without You. This fun showstopper being undercut with a bolt of hurt so deep that you almost can’t clap after it. I’m getting misty-eyed even thinking about it now!
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!