Hey everyone, I was wondering if anyone knew of any great male-male duets, fast or slow for a tenor and a bass? The only ones I can think of so far are "What You Own" and "Agony", any help is appreciated!
"Do you know what pledge time is, Andrew"? said the PBS Executive.
"Yes", Lloyd Webber replied. "My 50th birthday special must be one program that gets done a lot."
"No", mused the man from PBS heedlessy. "Not so much. Our Stephen Sondheim Carnegie Hall concert. That's a big one."
Spoons, forks and knives seemed suddenly to suspend their motion in horror, all around the table.
1. Ted Allen: Everyone has an interesting life if you ask the right questions.
2. Great buckets of Spoffnor, they're going to sing!
3. "I love shrubs that are historical." -Johnny and The Sprites
4. "We're not singing it to you, we're singing it for us." -Rosario Dawson, about La Vie Boheme
5. "The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours." -The History Boys
6. "Pass the parcel. That's sometimes all you can do. Take it, feel it and pass it on. Not for me, not for you, but for someone, somewhere, one day. Pass it on, boys. That's the game I want you to learn. Pass it on." -The History Boys
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I'm surprised nobody's thought to mention the three male/male duets from The Producers: We Can Do It, Where Did We Go Right, and Till Him
"Inside every actor there is a Tiger, a Pig, an Ass, and a Nightingale. You never know which one is going to show up."
-John Michael Higgins in FOR YOUR CONSIDERATION
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
There are two great male-male duets in Martin Guerre :
Live with somebody you love
If you still love me
In my heart, I found the answered dream,
and in my soul I found the song, and in my friends
I found the magic, the love,
the moon up above- they were mine, all mine, all along..!
And the other thing about the Phantom Lady was, Bert, she realized, in the city that never sleeps...
What did she realize, Kitten?
That all the songs she'd listened to, all the love songs, that they were only songs.
What's wrong with that?
Nothing, if you don't believe in them. But she did, you see. She believed in enchanted evenings, and she believed that a small cloud passed overhead and cried down on a flower bed, and she even believed there was breakfast to be had...
Where?
On Pluto. The mysterious, icy wastes of Pluto.
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
How about the "I Don't Remember You" and "Sometimes A Day Goes By" sequence from And The World Goes 'Round. That gives each a solo that then is layered into and AMAZING duet.
"All the while making faces like a baby platypus who forget to take some Beano before eating a chimichanga." FindingNamo in reference to Jessica Simpson's singing.
Well.. Ill cover you is NOT a Tenor/bass duet. its more about Tenor/Baritone Collins sings too high to be a Bass, so maybe he is a baritone. but I KNOw he is not a bass.