Woah... If Williams gets the role of Sally, I will jump and scream for joy. I for one think that this casting is perfect, Williams has that sort of essence that the Sally in the musical version (not the 1972 film version) should have.
Judi Dench from what I heard was a really good one, a really, REALLY good Sally.
I've always been intrigued by the debate on the vocal ability of Sally Bowles. Should you get an actress who doesn't sing well or should you get an actress with a terrific voice? First and foremost you should have an actress who has great acting chops, of course. Should you get an actress who is a terrific singer and have her sing badly on purpose just because Bowles is not a true talent?
Yes, Sally is supposed to be a lousy singer, but I want to hear those terrific songs sung fantastically. I assumed as a kid that when Liza sang in the film version, we were hearing what she THOUGHT she sounded like. I want that incredible song belted out so I get chills, not sung weakly and slightly off key.
But then that's a debate that goes beyond just the musical Cabaret. I remember the first time I heard Send in the Clowns by Glynis Johns I was so disappointed. She didn't sound good, and it's such a beautiful song.
Sondheim has always been of the school of thought that the acting is more important than the singing. I get that you want a terrific performance but, especially with Sondheim, his songs are so interwoven and such a main part of the performance that I want them well sung.
And what about something like Sunset Blvd? Would the character of Norma Desmond really be a great singer? She's an aging has-been star of the SILENT screen. Or is it since her songs are performed as part of her real life and not in a stage performance that its alright to have a powerhouse like LuPone or Buckley sing them?
Does that mean the songs that Sally sings off stage should be sung well, and only the ones performed at the Kit Kat Club should be sung badly?
I've always been fascinated by this debate, singing/acting and reality/fantasy.
I wasn't used to theatrical singing at that point in my young life. I only heard the radio and non broadway albums so I thought everyone should have a "pretty" voice. I had only heard Judy Collins sing it.
Now, of course, I get it. I love her version, but she still isn't the greatest singer.
Hopefully, I've cleared that up and I would love to hear your thoughts on the debate in the main topic of my message, instead of just a dismissal because of my comment using Glynis as an example. I do value your opinion in all my time here on the boards, and would expect a little more.
Williams has the possibility of being Brilliant in this role. It's just sad that the ROUNDABOUT has to revive this (fabulous) revival to make money. When they tried to revive the original (which was also fabulous) it failed big-time.
Patrick Healy at The Times is reporting it's a done deal, to be announced shortly. His sources are two unnamed Roundabout executives who confirmed the casting but aren't authorized to make the announcement.
You can have a great Cabaret and a great Sally with a Sally who's a great singer. And you can have a great Cabaret and a great Sally with a Sally who's not.
If you have a Sally who's a mediocre singer but who can sell the songs, you can understand why she is where she is though she clearly dreams of more. That makes her story a bit more tragic.
Now, if you have a Sally who is a fantastic singer, it's also tragic in the sense that you have a great artist who is stuck in this dank underground club and can't seem to find further success. She's trapped.
I think in both situations, the portrayal can still grab an audience.
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Back to the point of the thread - I think Michelle Williams is just about perfect casting. As for the British version of Williams (Mulligan), I actually thought of Cabaret when I saw her (I think in Shame) singing. Not talented, but seeking the limelight.
I agree with Wicked and YouWant that Carey Mulligan would make a fantastic Sally. Her New York, New York in Shame was amazing. http://www.youtube.com/watch?v=xdMXvFBOlmE
After seeing Jerick Hoffer aka Jinkx Monsoon, I think Jinkx would make a really cool Sally and would add an extra dimension to Cabaret. Richard Andriessen (Major Scales) would make an excellent Emcee.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I can only imagine that if it's selling well they'll be approaching other stars to come in after Williams and Cumming. Shall we start the speculations on those now or give it a few weeks before we get into that (I'm sure there will be many, many such threads appearing over the next year on that topic).
I don't know anything about Michelle Williams, but I definitely agree that Carey Mulligan would be a great Sally. I'm sort of disappointed that Alan Cumming is the Emcee again- I'm sure he'll be brilliant, but I would have liked to see a new take.
First Joey now Jen. Can Pacey be next on Broadway?
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Very exciting! Michelle Williams was the best part of "My Week with Marilyn," so I am sure she will be brilliant in this. Granted, there's a bit of a stretch in comparing Marilyn Monroe and Sally Bowles, but you get the point.
And if they can get other stars to come in after her, why not? As long as it doesn't turn into another Chicago revival, or something.
Michelle Williams is so exciting. Makes me sad that Cumming is reprising. He's done his creepy cupie doll goth schtick so many times now its really tired.
Somewhere Jen Cody is pissed.
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