NBC's SMASH - Series & Broadway Adaptation Thread- Page 18

[dramamama611]

SMASH #425

Posted: 2/20/12 at 11:08pm

Am I the only one that watched tonight?

I should have taken the above advice and skipped this episode. If next week isn't an improvement, I think I'm done.

If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.

[canmark]

SMASH #426

Posted: 2/20/12 at 11:09pm

Tonight's episode was pretty dull. I don't find the characters or their storylines terribly interesting, and the show is beginning to lose me. I do continue to like Debra Messing, though, and wish to God that she would smack that assistant upside the head.

Coach Bob knew it all along: you've got to get obsessed and stay obsessed. You have to keep passing the open windows. (John Irving, The Hotel New Hampshire)

[bwaylvsong]

SMASH #427

Posted: 2/20/12 at 11:22pm

I liked it...

[ACL2006]

SMASH #428

Posted: 2/20/12 at 11:36pm

Messing is the best part of SMASH, but tonight's episode was boring, predictable and repeated itself from episodes 1 & 2. Hoping for this show to get better, will watch next week with the hope that this starts going somewhere.

A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.

[NYadgal]

SMASH #429

Posted: 2/20/12 at 11:37pm

I liked it, too.

Some interesting new characters and some new storyline development.

Hopefully it will start to really move forward next week.

"Two drifters off to see the world. There's such a lot of world to see. . ."

[E.Davis]

SMASH #430

Posted: 2/20/12 at 11:39pm

Ellis is straight....hrmmmm.

"I think lying to children is really important, it sets them off on the right track" -Sherie Rene Scott-

[EricMontreal22]

SMASH #431

Posted: 2/20/12 at 11:39pm

All the critics/bloggers claim that episode four is really where it finds its rhythm, so I guess we'll see...

[NYadgal]

SMASH #432

Posted: 2/20/12 at 11:44pm

Ellis can neither be believed nor trusted!

His storyline tonight was one of the interesting ones.

"Two drifters off to see the world. There's such a lot of world to see. . ."

[ACL2006]

SMASH #433

Posted: 2/20/12 at 11:52pm

really...Ellis is straight?? Who saw that coming??

A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.

[ucjrdude902]

SMASH #434

Posted: 2/21/12 at 12:06am

It's got me for now, but I think alot of that is Messing who I love. Call me oblivious but what exactly could Ellis due? I mean really? What proof does he have that Marilyn was his idea?

[CurtainPullDowner]

SMASH #435

Posted: 2/21/12 at 12:06am

Manny Azzenberg was hysterical as Manny Azzenberg,
but why didn't they just cast Ron Orbach in the part?
Did anyone else see the Irony of Messing telling Borle that sex with a co-star/worker is just psrt of the Theatre?

[Phyllis Rogers Stone]

SMASH #436

Posted: 2/21/12 at 12:14am

I would like it if someone could tell Theresa Rebeck there are other adjectives besides "amazing."

[EricMontreal22]

SMASH #437

Posted: 2/21/12 at 12:20am

^ So true.

[luvtheEmcee]

SMASH #438

Posted: 2/21/12 at 1:45am

Ugh. I really, really want to like this show. I was so excited about it, but I find nearly everything about it totally annoying.

A work of art is an invitation to love.

[Idiot]

SMASH #439

Posted: 2/21/12 at 2:02am

Things I learned from tonight's episode:

*Girlfriends in Iowa are unbearably chipper.
*Anjelica doesn't want the people in the back of the house to miss a thing.
*Broadway is very, very heterosexual.

[Owen22]

SMASH #440

Posted: 2/21/12 at 3:41am

Marilyn's life was a story we all know. It is the source material for the musical. Messing and Borle's characters have read many books about her life and have gone ahead and first musicalized the "hot" moments, as opposed to writing the show linearly. They will go back and fill in book sections between the numbers. Of course things will change as the show is developed, but their musical theatre technical writing style is not terribly unusual.

[DottieD'Luscia]

SMASH #441

Posted: 2/21/12 at 6:57am

Although I have watched all 3 episodes of Smash so far, last night's had the feeling liked they skipped an episode. My issues (in random order):

I have always liked the the character of Ellis. It's obvious they're making him the villian as opposed to Derrick. Would never have pegged Ellis as straight though and if this is all part of his intrigue then I'm all for it. His "girlfriend" in the first scene came off like a friend. Their discussion of whether or not he was getting compensated for the Marilyn idea seemed kind of new to them, but if they're involved I think it would have been discussed at length instead of, "gee, let me try to get some proof".

The rehearsal number back and forth to the staged version novelty is quickly wearing off. I felt there was no need to do that to the Marilyn and Joe number.

The Derrick/Ivy Lynn relationship seems like it was thrown together. One minute she's auditioning, next thing they're an item.

Debra Messings character (sorry can't recall her name at the moment) is very distrustful of Ellis, yet spills the beans about her affair without even thinking he might be nearby. I saw that one coming from a mile away.

Will Chase and his wife had way too much screen time. New characters some times have to gradually be introduced. I felt like, "who are these people, and who cares?"

All that being said, I will still tune in next week. But I felt the writing this week was pretty shabby.

Hey Dottie! Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany

[PalJoey]

SMASH #442

Posted: 2/21/12 at 7:38am

Call me oblivious but what exactly could Ellis due?

Tom's statements in the first episode "After all, this was your idea" and "I'm interested in your input" are enough to establish a claim. Ellis could easily hire a copyright lawyer who could ask for a not-insubstantial amount of the authors' 6% weekly royalties.

Even if he ended up getting a fraction of 1%, it could still be considerable. Even if he was awarded nothing, the attendant publicity would be bad for Tom and bad for the show.

It was a stupid, stupid, stupid thing for Christian Borle's character to have done.

[broadwaybabywannabe2]

SMASH #443

Posted: 2/21/12 at 8:32am

SMASH WEEK 3:...the 'MR. AND MRS SMITH' number last night was right out of 'SOMEHERE THAT'S GREEN' from "Little Shop Of Horrors"...and i said i dont like so much sex goings-on...i want to see more musical numbers...they are Broadway to me...and why are we not seeing more of the workshop of the proposed musical...that would really be more fun to watch than who screws who...sorry sex is not that interesting, just obvious

[Jane2]

SMASH #444

Posted: 2/21/12 at 9:51am

I'm watching this am after dvr'ing last night. The guy playing Angelica Houston's husband's acting is baaaad.

I have to agree with others who say this episode is losing me but will wait until next week in hopes it gets better.

<-----I'M TOTES ROLLING MY EYES

[Eris0303]

SMASH #445

Posted: 2/21/12 at 9:58am

I'm curious about what Ellis saw in the notebook that was so interesting and what relevance does it have to the "angry" comment he made to Julia.

Also, wouldn't stealing the notebook hurt the chances of any legal proceedings started because of the contents? Or does "illegal search & seizure" only count when the govenment does it?

"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".

[prlny]

SMASH #446

Posted: 2/21/12 at 10:02am

Did anyone else find it annoying that one couple or another was kissing every 3 or 4 minutes throughout the show?

[Michael Bennett]

SMASH #447

Posted: 2/21/12 at 10:06am

Suffice to say that ignoring reality both in terms of how the biz actually works and any actual potential legality to the backstabbing that's getting ready to come is paramount to enjoying this series.

Suspending reality gets easier starting next week when we get to descend into straight soap opera.

[wonkit]

SMASH #448

Posted: 2/21/12 at 10:31am

I am gradually slipping away from this series. The soap is just overwhelming the unique parts of this story. Beginning to remind me (sadly) of Playboy Club - good people trapped in a stinker. Can the writing possibly get any worse?

[Gothampc]

SMASH #449

Posted: 2/21/12 at 10:49am

The writing on this show sucks. You have an excellent actress like Anjelica Huston and all you can have her do is throw drinks in her ex-husband's face...three times???? What's next? Jack Davenport smooshing a grapefruit in Megan Hilty's face?

If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.