Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
"I don't think that the reprimand right into drinking together was unusual. I've had many tense moments with co-workers during the day that end as soon as we get to the bar. Just because you have an argument at work doesn't mean you can't still enjoy your post-work drink."
But look who we're talking about here -- the producer and the snarky little weasel of an assistant. I can think of 4,573 more likely people for Anjelica's character to go have a drink with before that little slimeball. What on earth are they doing together in the first place?
So excited! I love this show even though it's not necessarily good, but I can't help myself. I hope the writers regroup (it'd be great if NBC got a new showrunner actually) and get rid of some of the characters that don't work and make the show as tight as it can be. I think it has the potential to have an outstanding second season.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Nearly all my comments on the show here tend to be negative, but I'm pleasantly surprised and pleased too, actually. I guess part of the appeal for me is there's no other show on TV (this may sound like a backhanded complement) like it, so in that instance I find it refreshing and even when I roll my eyes, it's one of the few non cable hours of TV I watch that seem to fly by.
(However, out of nearly all the cast, I don't think you need to worry about Jack Davenport finding other work...)
I'd actually suggest replacing Theresa Rebeck as headwriter. Yes, I know it's partly her creation (although the setp up, etc, was all decided long before they brought her on board), but she seems to be one of the weak links. Or at the least get her a co-showrunner.
(However, out of nearly all the cast, I don't think you need to worry about Jack Davenport finding other work...)
Ah, I see. You sent me to IMDB. Since I fell asleep during the first one, I didn't realize he was in all those PIRATES OF THE CARIBBEAN movies.
I know him from the UK COUPLING, then the brief SUMMERLAND, a couple of summers ago. I actually think he is the one actor who is emerging from SMASH relatively unscathed thus far. Even poor Anjelica Huston seems to stumble at times over the awkward lines they give her.
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And, of course, Eric, you are right that show runners have been replaced before, even from shows they single-handedly created.
The entire time I was thinking, "Just roll in the portable air conditioners!!!"
And I can't stop staring at Debra's half open mouth, with her over painted lips and her teeth looking like they are a mile apart from each other.
She really needs to keep her mouth closed.
And, I will say it again, the kid is terrible. I was also thinking he must have some learning disability because NO teen age kid is going to be THAT into an adopted child, or burst into tears because he saw his mother kissing someone else.
And what was with all of the smack talk right before the workshop?! Not ONE person was getting ready to perform, but they were ALL bitching and complaining about something. I mean, who walks across the stage, telling the writer to go back and talk to his star 'because she thinks you are bringing in a star' as potential investors were sitting right there?!
And the songs were too good not to have any of the invetors interested.
AND, they were a bit overdramatic at the gaffes that happened. 'Whoops, she missed sitting on the bats'... BFD
"TheatreDiva90016 - another good reason to frequent these boards less."<<>>
“I hesitate to give this line of discussion the validation it so desperately craves by perpetuating it, but the light from logic is getting further and further away with your every successive post.” <<>>
-whatever2
Are they trying to make it seem like Katherine was better for the role and Ivy only got it out of pure favoritism? (although I do think it's great they put a sense of favoritism on this show because it DOES exsist, from youth theater to broadway.)
here are my opinions: 1. Katherine needs to learn vocal technique for musical theater if the directors want to even think of making it seem like that. 2. It's weird how McPheet even was cast on this show in the first place. 3. "Katherine's voice is overpowering the chorus!" LEARN TO HARMONIZE. You can still have a good voice and harmonize, like in Hair and Spring Awakening. 4. Megan Hilty is an amazing singer.
"Are they trying to make it seem like Katherine was better for the role and Ivy only got it out of pure favoritism?"
I think they want us to believe that Hilty has the greater experience and skills, but that's there something "indescribably" charismatic and vulnerable about McPhee.
The director even had a line about Hilty spending so much time in the chorus, she doesn't know how to take center stage any more.
I'm not saying I agree with any of the above; I just think that's what they want us to believe thus far.
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But speaking of Hilty, I couldn't believe how instead of covering her minor mistakes during the performance, she did a big "Oopsie-Daisy! spit take" for each one. Yeah, I get that they wanted the audience to realize a mistake had been made, but surely 10 years in the chorus has taught Hilty a little more grace under pressure!
"But speaking of Hilty, I couldn't believe how instead of covering her minor mistakes during the performance, she did a big "Oopsie-Daisy! spit take" for each one. Yeah, I get that they wanted the audience to realize a mistake had been made, but surely 10 years in the chorus has taught Hilty a little more grace under pressure!"
well that's not worse than Katherine falling off the bench. lmfao!
but that's all scripted. so you're talking about Ivy, not directly about Hilty.