Another rush ticket question. When the show is sold out in advance(like this weekend), are rush tickets still available?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I'm just so confused, after 2 strong weeks if you look at the availability for Tuesday night the mezz is almost completely empty and the orchestra level has wide-open availability. Maybe the Broadway week discounts were more effective/the market for the show is already drying up (how many people who saw Bette would return?).
Hopefully there is something they can do to improve the sales - as winter ends and the reviews come out it might be a little easier. But right now, I'm scratching my head to think how this can last until July!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I think it does well at TKTS. The average tourist may just think, "hey, look we can get a ticket to Hello, Dolly! finally." Not knowing who's in it.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I think it's doing well at TKTS as well. I noticed when I went almost two weeks ago, that about the day before the performance almost all available seats were pulled from Telecharge, and I assume they were given to TKTS.
qolbinau said: "I'm just so confused, after 2 strong weeks if you look at the availability for Tuesday night the mezz is almost completely empty and the orchestra level has wide-open availability."
Maybe people think Bernadette doesn't perform Tuesdays, since Bette didn't.
February is historically an awful month for Broadway and theater in NYC in general. Any skilled producer knows that. I'm sure they've built it into their budget. If things don't improve once spring rolls around (March or April), then I'll start to worry. Until then, chalk it up to ugly, cold winters.
I live about 90 minutes from NYC and during our last snowfall I wound up forgetting a ticket to the New York Philharmic. I have since decided that for the remainder of the winter I'll take my chances and buy my tickets on the day of the event.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
She's one of our giants, and this interview both honors that -- her known avoidance of personal queries -- and yet asks (to me, fairly) some hard questions. I think it's a lesson in how to be accessible and still hold onto boundaries. She answers fully when it's about a personal interpretation of a professional experience, a distinction; yet holds on tightly to her private life. Including irresolution about parental relationships and grief. Without making the interview contentious or the interviewer squirm. We all know she's a class act, but here she's willing to share more and yet only share what she is comfortable explaining.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
I sat next to Bernadette and her husband at the Barbra Streisand concert at MSG in 2001- I think was the year. He was so nice- and very talkative- and good looking. I was so sorry when I heard of the helicopter accident that took his life.
I agree that, at least by Bernadette interview standards, they were quite strong and personal questions - and the interviewer was also skilled to follow up when necessary (even if Bernadette didn't always give back as much as I'd like her to). I have always thought that Bernadette seemed very fake in interviews, and wondered if she was perhaps a bit less insightful/intelligent than some of her peers. But based on this interview I have changed my mind a little - I think there is a lot of insight, experiences and thought going on in Bernadette's mind that I wish we had more access to. I hope that Bernadette might write a book one day. She has been in the 'room where it happened' for so many historic musicals over the years, and has had her fair share of success and disappointment and personal struggles. If she could just open up about it I'd be just fascinated. It seems like Gypsy was very important to her (she does often talk about this as a career highlight) - so that alone would be an interesting chapter for her to reflect on the highs, how it relates to her personal life, and any struggles (e.g., Arthur Laurents; vocal issues/illness). It's so uncharacteristic of her to ever acknowledge or speak about negative aspects of her personal life or career, so maybe it'll never happen. But it does look like she has a story to tell.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I can't wait to see her in the show. Interview was very interesting. Appreciate how she seems to cherish her private life but as one who has had a great loss in my life, I would be fascinated as to how it affected her work and her life and how she went on after such a tragedy. I always think we can learn from each other. Again, she owes us nothing from her private life but as one said here, a book by her would be fascinating.
qolbinau said: "I agree that, at least by Bernadette interview standards, they were quite strong and personal questions - and the interviewerwas also skilled to follow up when necessary (even if Bernadette didn't always give back as much as I'd like her to). I have always thought that Bernadette seemed very fake in interviews, and wondered if she was perhaps a bit less insightful/intelligent than some of her peers. But based on this interview I have changed my mind a little - I think there is a lot of insight, experiences and thought going on in Bernadette's mind that I wish we had more access to.
You call Bernadtte Peters The Greatest Star of All, yet you have no problem trashing her. I read and enjoyed the interview. She can share or not share what she wants to. She has no obligation to you! It's you who is less insightful/intelligent.
I’m not trashing her at all. I am just a curious/critical person. You should listen to War Paint to find some happiness.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
As someone who was a tad disappointed by Bette's performance -- specifically, at what I perceived as a 'phone in' during the musical numbers, at a performance I saw just after she returned from vacation -- I am absolutely shocked that there is not more demand for tickets so immediately after Bette's exit. A classic, well-loved musical in a highly acclaimed new production, starring a well-know performer who would seem perfect for the role. I am really hoping that the reviews interest a lot of people who are on the fence. It would be a damn shame if this didn't run a lot longer, providing the opportunity for many more people to see it live for the first time. Is there currently any other scene on Broadway as exhilarating as the title number and my favorite, Sunday Clothes?
Interesting to hear Sondheim is strict even with Bernadette about how his music is sung.
On Dolly, she is "having a fabulous time". "It's wonderful".
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
She also seems to think she did Anyone Can Whistle at Encores.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Jarethan's wrote: "I am absolutely shocked that there is not more demand for tickets so immediately after Bette's exit. A classic, well-loved musical in a highly acclaimed new production, starring a well-know performer who would seem perfect for the role."
I am not shocked in the least. Let's face it: what is there in Hello, Dolly! that is going to appeal to those who think things like Hamilton, Dear Evan Hansen, Book of Mormon, Waitress, etc. are great musicals?
Jarethan said: "As someone who was a tad disappointed by Bette's performance -- specifically, at what I perceived as a 'phone in' during the musical numbers, at a performance I saw just after she returned from vacation -- I am absolutely shocked that there is not more demand for tickets so immediately after Bette's exit. "
We told you this was a minority opinion when you originally stated it, though, so not sure why you're continually surprised when it is confirmed as such...