When Telecharge crashes, pretty much no one is able to get through and buy tickets, so, when it gets back up and running, they will have the same availability as before, for the most part.
binau said: "I’ve been binging the OBC recording and the score is just so so wonderful. To hear it live on a Broadway stage is a dream come true."
Same! The score is just a beautiful masterpiece! I am a singer and I am working on two songs from Parade with my vocal coach this semester! Just hearing those notes on a grand piano will give me chills. I don't know how I will feel when I hear the full orchestra play this score live.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
BETTY22 said: "I'm surprised this isn't selling better.
The show never exploded with commercial success - but I thought Ben's fan base would sell this out."
I saw this at the Beaumont when in college. It was a big failure back in 1999 closing after a couple of months on Broadway. Brent Carver and Carolee were amazing and I recall she received great reviews and the score is beautiful. It will be a hard sell even w/ Ben Platt and checking on telecharge it's not selling well.
Most critics praised the show, especially the score.[6] However, the public and some critics received the show coolly. A number felt the show took too many liberties in the use of racial slurs. When the show closed, Livent had filed for bankruptcy protection (Chapter 11). Lincoln Center was the other producer solely responsible for covering the weekly running costs
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
I anticipate that the word of mouth on this is going to build into something really big among the JCC mom crowd, for lack of a better term. (I say that as someone tapped into that scene.) I have been witnessing word already start to spread in suburbs across the US, and people in this world are very interested. It's unfortunate that anti-semitism is as hot a topic as it is right now, but I think it will certainly bring more people to this production.
My prediction is that it will have a slow-to-medium first few months and by the second half of the run will become a much hotter ticket. There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this.
Pashacar said: "I anticipate that the word of mouth on this is going to build into something really big among the JCC mom crowd, for lack of a better term. (I say that as someone tapped into that scene.) I have been witnessing word already start to spread in suburbs across the US, and people in this world are very interested. It's unfortunate that anti-semitism is as hot a topic as it is right now, but I think it will certainly bring more people to this production.
My prediction is that it will have a slow-to-medium first few months and by the second half of the run will become a much hotter ticket. There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this."
JCC mom crowd? There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this.
Hurry? - HUH!?
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
I'm increasingly baffled why they'd open this this season. It seems like this is a prestige production that will really only have legs if it snags some awards, and both the show and Platt have extremely stiff competition this season.
I also wonder if this is the right climate for this show on Broadway. Leopoldstadt found success tackling some similar themes, but I wonder if that was just because it's a play and plays tend to attract a very different audience. All the musicals that have found their footing recently seem to be decidedly lighter fare.
Nicticorax said: "Leopoldstadt found success tackling some similar themes, but I wonder if that was just because it's a play and plays tend to attract a very different audience."
The audience for Leopoldstadt and & Juliet (for example) might not have much overlap, but I don't think the Leopoldstadt audience would have any qualms about seeing a musical that's seen as more "high brow."
I totally agree with your point on paper, and I really hope the show is a success!
I'm more reflecting on the fact that, as several users have pointed out, ticket sales have been a bit disappointing thus far. So, I was just speculating why folks might be tepid about buying tickets. It seems like more serious musicals, or musicals perceived as being “message shows,” are struggling to find a foothold right now.
Robbie2 said: "Pashacar said: "I anticipate that the word of mouth on this is going to build into something really big among the JCC mom crowd, for lack of a better term. (I say that as someone tapped into that scene.) I have been witnessing word already start to spread in suburbs across the US, and people in this world are very interested. It's unfortunate that anti-semitism is as hot a topic as it is right now, but I think it will certainly bring more people to this production.
My prediction is that it will have a slow-to-medium first few months and by the second half of the run will become a much hotter ticket. There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this."
JCC mom crowd?There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this.
Hurry? - HUH!?
"
What was remotely confusing about Pashacar's point here? If a play gains traction as topical/meaningful in any community-- ethnic, geographic, whatever-- word of mouth will spread in a way it simply can't elsewhere. Not to mention that targeted advertising works wonders. And "Ben Platt in The Musical About American Anti-Semitism" is going to interest alot of people who live within an hour or two of Times Square. Seems like a fairly straightforward observation.
I have to imagine Leopoldstadt's success was a huge factor in Parade's choice to open right now. And look at that show's trajectory: not a runaway hit out of the gate, but built and built and built until it achieved really substantial success for a show of its nature. I foresee something similar happening here.
As far as how I have observed this: I am Jewish and have family in Jewish suburbs across the US, some of whom talk to me about theatre. Many of them will see a Broadway show about once a year and typically choose a Hello Dolly, My Fair Lady, Funny Girl, etc. Most have never heard of JRB or, say, Next to Normal. Yet many of them have already heard about Parade through friends or some kind of press/marketing and are very eager to see it on their next visit to New York. Totally anecdotal but I found it pretty surprising that it had made it that far and stuck with them.
Howard’s voice is so dark and chilling, I think it will elevate the song. Honestly this is shaping up to be an amazing event!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Wonderful casting! I am so excited to see Sean Allen Krill back on Broadway! I was hoping Antonio Cipriano would play Frankie, but I am overall happy with this casting! This is gonna be a great revival!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Fun fact, John Dossett was announced for REBECCA, and then Howard McGillin replaced him in that when Dossett got NEWSIES. They also both played Father in RAGTIME.
Pashacar said: "I anticipate that the word of mouth on this is going to build into something really big among the JCC mom crowd, for lack of a better term. (I say that as someone tapped into that scene.) I have been witnessing word already start to spread in suburbs across the US, and people in this world are very interested. It's unfortunate that anti-semitism is as hot a topic as it is right now, but I think it will certainly bring more people to this production.
My prediction is that it will have a slow-to-medium first few months and by the second half of the run will become a much hotter ticket. There are countless casual Jewish theatergoers in NYC suburbs and around the country who wouldn't typically choose a depressing show but will hurry to this."
My Mom, who literally works for the local JCC, is having a thrill being a trendsetter. We saw it at City Center (and of course she made a big Facebook post about it) and now a lot of her friends are reaching out to inquire about it. Inquiring doesn't equal buying, but there is definitely an awareness and interest. A lot of these people are not locals. SO, if they are interested, they're probably not gonna be able to make it to the city until Spring Break or summertime.