Quick thoughts:
Howard Kagan confirmed what I wrote last night on another thread. The plan was for the show to win Best New Musical and become a must-see sensation even after Josh Groban left. That didn't work out, an outcome he must have realized months before the Tonys, so then he got desperate. The story is quite right in deeming Great Comet a long shot. Kagan seems to have good taste in theatre, and I am grateful that he financed this project; he's just not very good at mapping out a realistic path to success. Every show can't be Hamilton. The audit suggests that other investors are wondering where all the money went.
The story states that a TV star was ready to step in and was getting musical training. Ah, those wasted accordian lessons. But would the star who backed out after the Onaodowan fiasco broke been a big enough name to keep the show afloat? My guess is that Kagan must not have thought so because producers were hoping Mandy Patinkin was going to stay after Sept. 3 and the whole Patinkin scheme seemed so desperate in the first place. Why were those three weeks so critical if a bankable star was about to join the cast?
Unless Onaodowan is just lying, it sounds like a delicate situation was mishandled. It's quite possible that everything would have gone south regardless, but even Dave Malloy admitted that they overlooked the bad optics - a problem that might have been avoided if the folks in charge had realized the firing a black actor after two weeks is going to prompt hurt feelings and some likely blowback. If any POC was involved in dealing with that matter, I will be surprised.
But Onaodowan doesn't help his cause by saying, weeks later in an on-the-record interview, that Great Comet and its diverse cast can essentially pound sand even while admitting that the motivation for his dismissal was not race-related. He doesn't give any indication that he's bothered that the show is closing, and that fellow performers who won't collect Hamilton checks for years to come will be out of work in a few days. I cannot see how that's in the best interest of his career.
In the end, though, the musical wasn't going to be long for Broadway no matter what happened. I certainly agree with the cast and creators that it's tragic for the show to be leaving this way.
Updated On: 8/29/17 at 10:24 PM