Goodness that thing was BORING! Bloated to all hell with the new material. To be fair I found the 1960 version boring as well (fell asleep on it) and I have a hard time seeing how adding so much was meant to liven it up. My sister apparently fell asleep during it and I don't blame her. I did enjoy hearing the tunes of my two favorite DO-RE-MI songs though. (And found it amusing that a commercial using "Make Someone Happy" aired right after the "Vengeance/Ambition" song)
I do hate this version in general, I just don't think it's very good, but they made it especially lifeless tonight. Even my absolute favorite song "Never Neverland," which I usually find oddly moving was deprived of all life. The recently posted Sandy Duncan rendition is glorious.
The two leads were problematic in different ways. Williams was fine, but just there. She sung and acted fine but had a kindof glassy attitude like she was thinking over every move in her brain a thousand times. Walken was a hoot in the worst way, though his entourage of campy pirates outshone him. His "performance" was baffling, so out there and spacey. Those cuts to him during the commercial breaks were utterly hilarious.
The new songs were nice but served only to bog down the already snail-paced show. I thought the new "Ugg-A-Wugg" was dull and had none of the great flow the original lyrics had. It was done too slowly and seriously.
My favorite parts were the first section before Peter arrived and the end portion after the return from Neverland. And those mighty fine Lost Boys.
I also liked how they cut the "building the house" thing from the song "Wendy." Always thought that was dumb.
Kelli of course killed it (as did Borle though I thought he had very little to do), and the end scene was actually extremely well done and surprisingly moving. If only the whole show was like that. Too little too late for me though.
P.S. Of course AfterEight made it about hating Sondheim. And he claims WE drag him into every subject endlessly.
Keeping BroadwayWorld Illustrated