Left to their own devices in their parents’ world of violent ends, an impulsive pair of star-crossed lovers hurtle towards their inescapable fate. The intoxicating high of passion quickly descends into a brutal chaos that can only end one way.
Emmy Award winner Kit Connor (“Heartstopper”) and Golden Globe Award winner Rachel Zegler (Spielberg’s “West Side Story”) star as Romeo and Juliet in Tony Award-winning director Sam Gold’s (Fun Home, An Enemy of the People) visceral and visionary production. Shakespeare’s timeless tragedy now belongs to a new generation on the edge. Music by Jack Antonoff and movement by Sonya Tayeh.
Previews begin September 26 at Circle In The Square.
Why does a preview thread need to be started six days before the first preview?
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
And I simply just copy and paste here at midnight… my introductory remark for each preview thread has usually been written (typed) in my notes by then. It’s always great to see new shows joining the Broadway boards. :)
I'm a big fan of Kit Connor and Rachel Zegler, and I'm really curious to see how they tackle these iconic roles. The director and creative team are all top-notch, so I'm expecting something special. The music and movement sound like they'll be a major highlight. I'm definitely intrigued and I can't wait to see it!
Yeah every time I look at tickets I remember the reviews here for Macbeth. The guy couldn't do anything & he had Daniel Craig? I read the big piece in last weekend's NY Times & nothing about the actors came across as appealing to me.
An edgy, contemporary production — and 36th Broadway revival — of Shakespeare’s Romeo + Juliet lays its scene tomorrow (September 26) before an October 24 official opening at the Circle in the Square Theatre. Connor and Zegler are joined in the onstage company by Gabby Beans, Tommy Dorfman, Nihar Duvvuri, Solá Fádìran, Daniel Bravo Hernández, Taheen Modak, Jasai Chase Ownes, and Gían Pérez. Romeo + Juliet runs through February 16.
inception said: "Yeah every time I look at tickets I remember the reviews here for Macbeth. The guy couldn't do anything & he had Daniel Craig? I read the big piece in last weekend's NY Times & nothing about the actors came across as appealing to me.
So I will be awaiting early previews reports.
Edited for typos"
I’ve seen Sam Gold do Shakespeare right, just not on Broadway. In 2017 his Hamlet with Oscar Isaac was revelatory for me. I think his style works very well in intimate spaces, so Circle is setting him up for much better success than a typical broadway proscenium house.
But who knows really until we see it? I guess we’ll find out tomorrow.
I don't think "bare" is automatically bad, especially in the round. While I enjoy an elaborate set, that never makes or breaks my involvement/enjoyment of any show.
I'm not going until November, but am very much looking forward to it. Sure, R&J is overdone, but done well? It's still achingly moving.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Looks like a turntable and maybe an elevator lift in the middle. And maybe stuff comes from the ceiling? I mean Id call the Fun Home set bare but it was still really cool what they did with the space.
WldKingdomHM said: "I mean were you expecting Romeo to make an entrance on a motorcycle ? (lol)"
No I wasn't but this stage looks mighty tiny for anything to possibly happen on it. I've read somewhere (here?) that "we aren't ready" for the set design, so I was expecting something more interesting... I love minimalistic sets that are done right. Those pictures look like a bunch of uni kids from Washington sq. park wandered into a theater and found themselves on an empty stage. I dunno, doesn't look exciting to me. And that shopping cart... But we'll see, we'll see.
It’s fully staged in the round so I’m unsure what some of you were expecting from the scenic design.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
JasonC3 said: "Having seen minimal productions before, I think the text lends itself to those interpretations and don't remember feeling shortchanged at all."
Historically, wouldn't have Shakespeare's plays have been staged "mininally" at the time?