yahyahyah said: "Some of us didn’t think she deserved the Tony in the first place, so that amendment seems a bit over the top.
Thankfully, this indiscreet peek into her quiet political machinations has allowed the several many of us who did NOT enjoy her work as much as othersin SB to have space to express our thoughts. I hate raining on people’s parades when they enjoy a show, and if something truly excites folks, energizes others, I stay mum.. but since she is being hung out to dry and her Broadway honeymoon has quickly been snuffed out in this harsh light…
Her Norma felt like an insincere clown show with stellar vocals. Like a drag queen poking fun at Norma with a SUNSET tribute mashup—with all the knowingcampiness of “those famous lines” etc. I didn’t believe her outside of the songs. Why the ridiculous stage gymnastics and splits? It was all as if the director and star wanted to telegraph that they thought this role, woman and material was ridiculous. So why bother? She is a talented pop vocalist, sure, but character and true storytelling is not happening here. It’s all extremely studied vocal dynamics and calculated emotional affectations in the songs—supported by a very talented sound design team. Not powered by the truth of a real actor like the likes of Glenn, Patti, Betty, etc. I think she betrays herself by telling us she thinks she’s ridiculous/campy, so we can never trust her to protect Norma’s heartgoing forward. Not the work of a serious actress.
Hope to see Mandy’s take.
"
Thank GOD someone else said it. I thought I was the only one. She can't act, the line delivery is atrocious, and all she does is play a parody of herself ("TODAAAAAAH IS THE DAAAH OF CLOSAAAAST CONJUNCSHAAAN"). The pop vocals are fine for something like WICKED but not for this. It is not a Tony-worth performance.