Listener said: "Honestly, no offense to Nicole, but I hope she doesn't win a Tony for this. You have to do more than sing well to deserve a Tony and her performance here is far from clever or interesting.
She's a good singer, sure, fine, but this show hasn't exactly pushed her to do more than act like a Diva and take her sweet time delivering the tunes. The weird modern touches don't help the fact that this is supposed to be a period piece. It just doesn't work.
That doesn't mean it isn't entertaining, mind you, but...to win a Tony I'd like to think she'd given us a great Norma who has dimension and humanity and layers. She just isn't an actress. But hey, it's showy."
I honestly think Nicole S' singing and acting is of the same kind of calibre as someone like Christine Ebersole (especially her ability to act while singing). It's like she was born for the stage and this role. In my mind it's as important and as significant as performances such as Patti LuPone in Gypsy, Alice Ripley in next to normal and Bernadette in Sunday in the Park. I don't think anyone has or will ever come close to Nicole in Sunset. It's a true reinvention like Alan Cumming in Cabaret, and what is seen can never be unseen.
I'm also starting to think the Tony race is back on again. Nicole is proving her vocal can hold out, she has never missed a performance. She doesn't have the polarising reaction to her vocals like Audra does (although for what it's worth I think Audra's vocals are also highly important and a revelation). Gypsy has started to lose steam which isn't good for optics and she is about to have very unfavourable comparisons with Lea in Old Friends who completely brings the house down with "Coming Up Roses" in ways that some people think Audra didn't (I think she did personally, I just can empathise that her soprano isn't for everyone).
Give me claws and a hunch, just away from this bunch.
Updated On: 3/24/25 at 02:46 PM