I have been among a thimble-full of Kathie Lee Gifford defenders, for mysterious reasons (okay, she's as entitled as anyone to put in the work on a show, then find out how it lands and is received). But her TODAY announcement that her show was closing, though classy in tone and without bitterness, was built on an odd thesis: That Hurricane Sandy played a critical role in the early demise of her musical and other non-hits of this wildly erratic (euphemism) fall season on Broadway. SCANDALOUS and THE ANARCHIST have zero in common other than some of the worst press ever. And both are, uh, leaving the NY stage. Ahead of time? Somehow, that critical reception is ignored, and audience ... timidity? Fear of a wind called Maria? What? ... tied to a couple of cancelled performances all in one week kept people away? Sandy wasn't a terrorist attack. Are people supposedly failing to buy seats to those shows -- and CHAPLIN, also noted by Gifford -- because they fear more storms will block their reaching row H center? Shall we call them fair weather theatergoers? I suspect SCANDALOUS will turn up at Bob Jones University, Liberty, Brigham Young ... in theater departments, come rain or shine, where its earnestness and lack of daring will be savored, not judged.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I think it's a bit of a stretch but I do actually think there's some truth to the statement. The show would've gotten poor reviews and closed early anyway, but if she was aiming for a bridge and tunnel audience, they absolutely would have trouble getting to the show.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Over Thanksgiving, you had 12 shows post figures of over a million dollars, playing to packed houses, while Scandalous sold 33% of its seats. Don't you dare blame the storm.
How disgusting can you be to evoke a tragedy as a reason your shi*ty Broadway musical is closing. Who does she think she is?!?
Well since 9/11 has been used frequently to talk about the demise of shows on Broadway in 2001, it's not entirely without precedent to say that something on the scale of Sandy also was damaging to business.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
What is she supposed to say? That her show was lousy and it bombed? She's trying to exit the arena gracefully, saving a little face. Doesn't mean she doesn't see the truth. Just means she's human.
Art has a double face, of expression and illusion.
I'm going to agree that I think it is partially true. Six days after that storm I was very lucky to even find a way to get to the city to see the show I was planning to. There are still people out in Brooklyn and I think Staten Island with no power. I highly doubt those people are thinking about seeing a show now.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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There are certainly still people in Staten Island with no power and no heat, Marianne. There's also limited public transportation in and out of the city in the evening (the PATH is only running until 10 PM, for example). For a show that was probably aiming for the bridge and tunnel crowd, with no real solid hold on that audience yet (like something like Mamma Mia might have), a storm that did that much damage to the infrastructure in the area is devastating.
Like I said, the show still would've gotten bad reviews and probably would've shuttered early, but I do think that it might've held on a little longer had Sandy not hit the way it did.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
9/11 is not comparable to Sandy in terms of impact on the city's future. Sandy was awful and many died and I don't mean to belittle the tragedy but the ripple effects of 9/11 lasted for years. Tourism was down throughout the city and people weren't going to shows. Tons of shows closed and New York felt like a ghost town for a while afterwards.
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
Scandelous' ticket prices were in freefall since it started previews. I honestly don't think it could've held on much longer even if Sandy hadn't hit. Broadway was able to rally fairly quickly after the storm.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Sandy is an easy scapegoat. Henry Winkler was on MSNBC a few weeks ago and he said that Sandy singlehandedly closed The Performers. "We had to close because of the hit we took after Sandy" sounds better than "Our reviews stank and no one is coming."
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I do think it is fair to say that Sandy stopped a lot of the ticket buying momentum for Broadway. Whether that momentum was directed at Scandalous or The Performers, I don't know. But if you can't build an advance you have a problem.
This would make sense if the show was doing well BEFORE Sandy or if other shows took a bit of a hit. But they haven't. Every other show is chugging along except for these two. Why? Because nobody wanted to see them.
Of course she's gonna blame Sandy. It's a plausible scapegoat to anyone who doesn't closely follow Broadway grosses. But she should hardly "be ashamed of herself." She just can't bring herself to admit that the show flopped because no one wanted to see it. Hardly something to be "ashamed" of. It's not like she's pulling a Jeremy Piven or something.
Say what you will about the woman, but she's been working on this piece for a long, long time. Cut her a little slack for not exactly being ready to admit that SCANDALOUS flopped and is folding after a handful of performances because it A) got bad reviews B) got bad word of mouth and C) just wasn't something many people wanted to shell out $130 a ticket to see. I would imagine it's a bitter pill to swallow for her. But I'm sure she'll chase it with a box of Franzia.
I do admire Kathie Lee in the way that she didn't seem to want her own name plastered all over most promotional materials (maybe because everyone knew that Carolee would be the only one getting positive reviews). She tried to make Carolee the focus. At least that's what it seemed to me.