unclevictor said: "I haven’t seen anything yet. Anyone else... Has Rudin released a statement denying all accusations yet? Has Hugh and Sutton released any sort of statement?"
No and no.
"There’s nothing quite like the power and the passion of Broadway music. "
He can't deny it. There were witnesses and he knows it. He's just waiting for it to die down, which I hope it doesn't. For all the comments about how "the industry is being silent" and "public outcry won't bring him down" (and I don't totally disagree with either of those statements) it does seem like this time is different from the other times his behavior has been brought up. I imagine because this incident is the most clearly, demonstrably a case of illegal abuse, and can't be brushed aside as him being "demanding."
binau said: "The 6 shows a week (should be 7), 1-2 regular performances (only 1) and ‘few’ Tony Awards? (should be 2?). If this yes but these are details that I wouldn’t necessarily expect someone to be 100% on if they are not actually a theatre fan. Still, recognise it is just an anonymous comment that could be made up (or could also be true). It’s hard to ignore a pattern of apparent poor conduct though. "
I agree that lack of knowing the exact schedule of performances performed each week by the alternate did not discredit the source, as not everyone, even someone's friends, followed it closely or cared that much (not to mention it was a few years ago). Also, a "few" can mean a s little as two. It's defined as not a large amount, but more than one. It can also be a way to vague it up.
So, assuming the source isn't making it up, it doesn't appear to apply to any other actress beside Donna Murphy.
JBroadway said: "He can't deny it. There were witnesses and he knows it. He's just waiting for it to die down, which I hope it doesn't. For all the comments about how "the industry is being silent" and "public outcry won't bring him down" (and I don't totally disagree with either of those statements) it does seem like this time is different from the other times his behavior has been brought up. I imagine because this incident is the most clearly, demonstrably a case of illegal abuse, and can't be brushed aside as him being "demanding.""
I agree. He's following the Joss Whedon method, who is also unable to refute the claims because pretty much everyone who worked with him witnessed the behavior at some level and no one had come out in support.
Hopefully some high profile stars will speak-up, because that's the only way this will really gain any traction.
Donna Murphy has been liking a lot of tweets about the article and criticisms of Rudin in the past few days, for what it's worth. If that story's true, it's absolutely horrible. All the more incredible that she delivered the performance in Dolly that she did, too.
Do we know for a fact that this interview wasn't recorded earlier? I actually don't know, as I'm not familiar with AP's news content.
But either way, as I said in a recent thread about Leslie Odom Jr - expecting actors under contract to speak out against their employers during a promo interview is a game that only serves to set everyone up for disappoint.
As PoisonIvy said, the only one from The Music Man who can realistically do it is Hugh, because he's big enough, and wealthy enough to weather any lawsuits Rudin might throw his way.
Jordan Catalano said: "I sure do hope he quits and ends the show and puts that enormous cast of actors out of a job after over a year already of being out of work."
And we wonder why nobody's effectively stood up to Rudin.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Call_me_jorge said: "Honestly, Scott Rudin should be the one to exit."
That's the best case scenario, but how would that work? I asked this in an earlier post, but I'll re-iterate it:
Rudin is the sole producer, so is it even possible to replace him? It's not like he has a board of directors who can fire and replace him. Saying Scott Rudin should step down as the producer for this specific revival of the Music Man is like saying Meredith Wilson should exit the writing team. Maybe the rights-holders can get involved? Maybe he can sell the Broadway revival rights to someone else? (unlikely) I just don't see what the protocol would be. But I hope I'm missing something.
JBroadway said: "Call_me_jorge said: "Honestly, Scott Rudin should be the one to exit."
That's the best case scenario, but how would that work? I asked this in an earlier post, but I'll re-iterate it:
Rudin is the sole producer, so is it even possible to replace him? It's not like he has a board of directors who can fire and replace him. Saying Scott Rudin should step down as the producer for thisspecific revival of the Music Man is like saying Meredith Wilson should exit the writing team. Maybe the rights-holders can get involved? Maybe he can sell the Broadway revival rights to someone else? (unlikely) I just don't see what the protocol would be. But I hope I'm missing something."
This past article on deadline lists Scott Rudin, Barry Diller and David Geffen as producers. Has that changed?
Sutton Ross said: "It would be just fine with me if Hugh leaves, he is the sole reason tickets are so unreasonable."
You do realise he is also probably the sole reason tickets are on sale? If Hugh leaves there is a good chance the show go with him - investors aren’t putting up their money because they think the show title is carrying them to the bank!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Nope, many people are going for Sutton, whose star has risen since being on TV for the last 7 years. They can find another Harold Hill and people will still come to this show, it's a classic.
While I'm sure Music Man would sell regardless of who was in it, there is no denying that Jackman is the central selling point here. Sutton Foster is not even remotely a household name.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
The Dodgers should takeover the lead producer role for the show.
also playbill has finally caught wind of the story.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Kad said: "While I'm sure Music Man would sell regardless of who was in it, there is no denying that Jackman is the central selling point here. Sutton Foster is not even remotely a household name."
Before Younger I would agree with you. But, the show is wildly popular so yes, she is a household name imo and a star on Broadway.
Kad said: "While I'm sure Music Man would sell regardless of who was in it, there is no denying that Jackman is the central selling point here. Sutton Foster is not even remotely a household name."