Best Play: The Curious Incident of the Dog in the Night-Time. Tony voters are conservative unless it has something to do with their culture specifically. Although this is expertly directed, I have a hard time calling this a play. The script is second rate at best.
Should win: Disgraced. This Pulitzer Prize winner is the best written and most relevant play of the season. It just didnt get enough press behind it unfortunately.
Best Musical: An American In Paris. Again, Tony voters are conservative. This will tour basically because of the brilliant film. It's nice that dance is highlighted here but this is the least "musical" of all the nominees.
Should win: Fun Home. This is the boldest musical to come along since Falsettos. Brilliantly crafted score, the book is modern and breaks all formulas, and its fascinating story that we haven't heard much...a lesbian daughter and a gay father who can't really connect.
Best Play Revival: You Can't Take it With You. Conservative voters is the name of the game here.
Should win: Skylight....the best production of this show that has ever been produced. A+ from top to bottom....You Can't Take It is also very good though
Best Musical Revival: The King and I. Again, a production of this show that has never been more poignant.
Should Win: The King and I. Experts working on every aspect of this show. On the Town is a close second...talk about making an old show look brand new again.
Best Book of a Musical: Fun Home...hands down the most modern book of the last ten years. Breaks the mold in every way.
Best Musical Score: Fun Home. Its stunning, moving, modern, just enough art and class, also brutally honest. Plus it's Jeanine Tesori's turn. The Last Ship is a close second. The score is major regardless of what you thought of the show itself. Some of those melodies are the best Broadway's heard in years. I hope Sting returns, he is a musical genius.
Best Actor Play: Alex Sharp. Hes that good and its flashy role. Plus he's young and has a great story. He'll bring a whole new audience to the theater.
Should win: Bill Nigh. It's a real performance, he's gotten to the center of the character and you feel as though you are watching a real person up there.
Best Actress Play: Helen Mirren. DUH!
Should win: to be honest, i think every other woman in this category is giving a better performance than her. Geneva Carr's in Hand to God to me is the MOST interesting. The sex scene she has with her student...i mean, on the floor hysterical.
Best Actor Musical: Michael Cerveris, Fun Home. Yet another masterful, fully committed, intense character. He is not scared of anything as a performer BRAVO
Best Actress in a Musical: Kristin Chenoweth. Its the definition of tour de force. She is doing everything she can do here. The stuff of legends. Plus she is literally a house hold name because of her work in the theater...one of MAYBE five in the world that can say that.
Should win: it should be a tie between her and Kelli O’Hara for the King and I. Kelli is not making a false move as Anna. She is perfection in this produciton.
Featured Actor Play: Micah Stock. He's got buzz still almost a year later
Featured Actress in a Play: Annaleigh Ashford, You Can’t Take It with You. She's had it coming for a while now. And she is truly scene stealing in this.
Featured Actor Musical: Toss up...Andy Karl for 20th century Max von Essen for Paris. Both have been around forever, are true Broadway Babies, and are seriously talented.
Featured Actress Musical: Ruthie Ann Miles. I've never seen anyone sing Wonderful like her. Plus she has the ethnic advantage that the theater so wonderfully embraces. Judy Kuhn, Fun Home is right behind her. Her singing Days and days and days...will break your mutha' f'n heart.
Scenic Design Play: Bunny Christie and Finn Ross, The Curious Incident of the Dog in the Night-Time. Surprising in every way
Scenic Design Musical: Michael Yeargan, The King and I. He is never short of Genius...NEVER
Costume Design Play: Toss up Christopher Oram, Wolf Hall Parts One & Two and Bob Crowley, The Audience.
Costume Design Musical: Catherine Zuber, The King and I. I'm speechless it's so good.
lighting design play: Paule Constable, The Curious Incident of the Dog in the Night-Time. Magical, sentimental, mental, you feel like you are inside this kids head.
Lighting Design Musical: Donald Holder, The King and I. I mean come on, when the boat comes in to Siam...WTF!!!!!!!
Direction of a play: Marianne Elliott, The Curious Incident of the Dog in the Night-Time. So fantastically conceived. The train idea is bloody genius.
Direction of Musical: Christopher Wheeldon, An American in Paris is getting all the attention for making a ballet relevent...I think this is the wrong choice
Should win: Toss up Bartlett Sher, The King and I (digging deep to find the new subtext and meaning to classics is his TALENT) Sam Gold Fun Home, doing things in the round that have never been done Bravo!
Choreography: Christopher Wheeldon, An American in Paris. Again wrong choice
Should win: Joshua Bergasse, On the Town not cookie cutter in anyway. Still so fitting for the production. Romance and loneliness passion and humor....YES!
orchestrations: toss up Rob Mathes, The Last Ship or John Clancy, Fun Home