Spiderman Preview Thread! — Page 26
#627
Posted: 12/2/10 at 12:51am
"How do you do rewrites on a show that has taken so long just to get to this stage?"
How do you get to this stage and not realize yet that your book/score sucks?
How do you get to this stage and not realize yet that your book/score sucks?
#628
Posted: 12/2/10 at 12:55am
"How do you get to this stage and not realize yet that your book/score sucks?"
Exactly. There must have been too many yes-men/women who were too afraid to tell taymor and u2 the truth.
Exactly. There must have been too many yes-men/women who were too afraid to tell taymor and u2 the truth.
Updated On: 12/2/10 at 12:55 AM
#629
Posted: 12/2/10 at 12:56am
That is true...they have had such a long time to get a coherent story together and make a solid, enjoyable score. They have had 7 or 8 years...the tech stuff should have come after getting the basics down
"Life in theater is give and take...but you need to be ready to give more then you take..."
#630
Posted: 12/2/10 at 1:02am
Like I said the show has some life. However,all the theater snobs have prejudged this show already. Its doomed. I like to compare it to Patti Lapone either you like it or hate it. One is a money pit the other is just the pits.
#631
Posted: 12/2/10 at 1:10am
They should have realized long ago that they were lacking, obviously. All I meant was that it's too bad that this is pretty much the finished product.
#632
Posted: 12/2/10 at 1:34am
Perhaps this is a stupid question - forgive me if there's some kind of obvious answer - but why can't they bring in someone else to work on the music and/or book, either as a ghostwriter or as a collaborator?
#633
Posted: 12/2/10 at 1:38am
^Ego.
Also a projected opening date in about a month would be not long to find a writer/composer and throw them into fixing up the book and score. Especially the score- you'd probably end up with some strange mixture of styles. Maybe just someone to help with the lyrics.
Also a projected opening date in about a month would be not long to find a writer/composer and throw them into fixing up the book and score. Especially the score- you'd probably end up with some strange mixture of styles. Maybe just someone to help with the lyrics.
#634
Posted: 12/2/10 at 1:51am
And I can imagine there is a deceptive simplicity to comic books that could trick one into adapting them into a treatment thin, silly or dull. What Taymor could have intended to be simple and resonant could just be simple and boring, though beautiful.
#635
Posted: 12/2/10 at 4:33am
I don't think too many of the twitter posts sound like they are coming from Theater Snobs. And even if they were, there aren't enough of them to be able to "doom" this or any other show.
How horrible for a musical to be totally disliked for it's music (as this seems to be the most consistent criticism).
That being said, there is still no way to know whether or not this will succeed. As we know, a show being of high quality has little to do with financial success. It could suck and still bring in audiences.
How horrible for a musical to be totally disliked for it's music (as this seems to be the most consistent criticism).
That being said, there is still no way to know whether or not this will succeed. As we know, a show being of high quality has little to do with financial success. It could suck and still bring in audiences.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
#636
Posted: 12/2/10 at 8:06am
http://www.whatsonstage.com/blog/theatre/northwest/E8831291225292/Spiderman%3A+Turn+Off+The+Press.html
Namo i love u but we get it already....you don't like Madonna
#637
Posted: 12/2/10 at 8:12am
"However I feel I want to jump in and defend the show, even without seeing it."
That kind of makes him hard to take seriously.
That kind of makes him hard to take seriously.
....but the world goes 'round
#638
Posted: 12/2/10 at 8:47am
Not really, its defending the act of previews and negativity springing from 1 preview, i don'y have to see it to express an opinion on a product that it is getting so much negativity from the press after 1 preview.
Namo i love u but we get it already....you don't like Madonna
#639
Posted: 12/2/10 at 9:24am
The most consistent criticisms have been towards the boring and incoherent story, not the music. Some of the music is ok, like maybe one half of a song.
#640
Posted: 12/2/10 at 10:00am
#641
Posted: 12/2/10 at 10:37am
She evidentally didn't realize that the music wasn't by U2 except the one song.
Just give the world Love. - S. Wonder
#642
Posted: 12/2/10 at 11:11am
They got the yes men/woman from Michael Jackson, there must be a special place to hire people who dont voice their opinion
#643
Posted: 12/2/10 at 11:19am
Gideon Glick plays Jimmy-6, one of the "Geek Chorus" kids who are throwing together the ultimate Spider-Man story. He's cute in this too. Too bad the whole "Geek Chorus" framing device is really annoying.
#644
Posted: 12/2/10 at 11:31am
I had no clue Gideon was in this until I saw the stagedoor pictures. Loved him in Spring Awakening.
Just give the world Love. - S. Wonder
#645
Posted: 12/2/10 at 11:51am
Surely it would have been sensible to release a concept album by U2 to build word of mouth and a fanbase?
They might also have noticed that the score needed work.
They might also have noticed that the score needed work.
#646
Posted: 12/2/10 at 12:12pm
Has anyone sat in the boxes for this show or another show at this theater.. How are they?
#647
Posted: 12/2/10 at 12:17pm
Julie is not one to listen to constructive criticisms of her visions. She gets that glazed over far away look and just piles on the rhetoric. Most people fall into that spell and agree with her rather then seem unenlightened. Seen it happen many times.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
#648
Posted: 12/2/10 at 12:19pm
I'm still trying to decide if this show is worth seeing. Hopefully, as the previews progress, it'll improve. I was of the same impression that Bono and the Edge wrote the entire score. I'm disappointed that they didn't (altho' not every piece of music that they write is great or even good, but when they hit it right---it's great)----please keep posting opinions---I'm reading each one!
#649
Posted: 12/2/10 at 12:21pm
devonian- I brought up the same thought a few months back. It seems like Bono and the Edge is doing the bare minimum to promote this show, when so much and so many people are invested in it. A concept album would have been brilliant to release about 6 months ago. It's so unfortunate the PR has been such a mess that this didn't happen.
"Are you sorry for civilization? I am sorry for it too." ~Coast of Utopia: Shipwreck
#650
Posted: 12/2/10 at 12:25pm
Bono and The Edge DID write the whole score, or at least officially. I don't know what that asterisk thing is about. Maybe it has something to do with Boy Falls From the Sky being the only song that U2 performs, or that might be a single?
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